One of this summer’s big “wha’ happened?” stories is definitely the tale of
Prescott Curlywolf and Mercury Records. Following the release of their 6ix
Ways to Sunday album (if you didn’t hear it, you’re not alone — I just
finally got a copy from a band member yesterday), all mention of
Prescott seemed to vanish off the planet. So what went wrong? Band co-founder
Rob Bernard blames, well, everything. “We’re the sickest band on earth,” he
declares, citing various ills that have plagued the band — particularly one
member’s long bout with mononucleosis that scuttled their tour plans: “Nobody’s
about to get in a van with someone who has mono.” Their manager’s wife was also
suffering a long illness and recently passed away. On the record company front,
Bernard says that Mercury simply decided to push the Refreshments over
Prescott. Oh, and fire their A&R person for good measure. Finally, he
bemoans what he considers unfair press that has been given the band (and his
previous band, the Picket Line Coyotes) in certain circles. In fact, former
members of the PLC are currently digging through crates of tapes to assemble a
double-LP retrospective, which Bernard insists will be titled Michael
Corcoran Can Suck Our Dicks: The History of the Picket Line Coyotes
1986-1996. The band seems to have already forgotten the 6ix album
ever happened and are going ahead as though they were never signed (they
haven’t been dropped by Mercury, but Bernard says he doesn’t really expect they
will be asked to continue recording for the label). They seem perfectly
satisfied with concentrating on the musical side of Prescott and their
friendship (“this band is just our excuse to get together”), and forgetting
about the moneymaking part. To those who bitch about bands playing for little
pay, Bernard shrugs, “If you want to pick a town to flip burgers in, I can
think of a lot worse ones.”
Splitting Hares
Well, the Split Rail is one club that didn’t get any publicity mileage out oflast week’s Chronicle cover feature on the Red River music scene. The
club closed its doors last Saturday without warning, almost exactly one year to
the day since it made its debut. Owner Paul Sessums blames himself for the
Split Rail’s failure, saying the closing is a result of “my own stupidity for
opening a live music club in that area when people aren’t looking for that. ”
(Hmmm. Seems to me that at least a few people are looking for Stubb’s.) Sessums
adds that he’ll be concentrating more on the Black Cat and his non-Austin
investments; in fact, he’ll be packing up the Split Rail’s equipment and mural
and reopening the club in Palacios, Texas, a Gulf Coast town of about 4,000
people where he owns some other businesses.
White Rabbit owner Jordan Silber, currently in San Antonio running the larger
version of the Rabbit, fesses up that, “Yes, we’re considering selling [the
Austin White Rabbit].” However, he flatly denies specific rumors that Halloween
weekend will be the swan song for the Sixth Street club. The S.A. venue is
clearly the bigger success of the sister clubs, but Br’er Silber says he much
prefers the Austin life, and commutes here two or three times a week. And
anyone familiar with the drive between the cities will agree with his
assessment that “I’m already tired of Selma and Schertz.”
Big in Japan (and Reasonably Large in Belgium)
The Motards will be taking a slow boat to the Land of the Rising Sun October21, staying there until Oct. 29. Of the circumstances behind the trip — during
which the band will play clubs in Osaka, Tokyo, and elsewhere — Motard Toby
Marsh says, “I don’t know. It’s kind of like winning a game show.” Basically, a
popular club in Japan contacted the band through Brent Comiskey at
Thora-Zine and arranged the week of dates. The band is recording a split
single with Permanent Voltage for a Japanese release, as well as some material
for a Belgian label, but neither of those discs will be easy to come by in the
States. Not to fear, though, as Marsh says that when the band records a new
album stateside, those songs or versions of them will be on it.
Daddy Longbutt
The new SPIN features a major oral history of the Butthole Surfers(compiled by Texas Monthly guys Joe Nick Patoski and John Morthland),
but as far as the future goes, there’s still no word on what the band have
planned as a follow-up to their smash “Pepper.” A caller named Trish tells me
that Gibby Haynes wanted her to pass on a story to me, though: It seems that
the Surfers’ live show is becoming more and more improv-based, to the point
where their sound man tried to quit. “Can you imagine a sound man being
embarrassed by the band?” queries Trish. Grumpy Butt manager Tom Bunch
says he doesn’t recall hearing about any sound man problems, but adds that he’s
been so busy he probably wouldn’t remember if he had.
Former Surfers bassist Jeff Pinkus is keeping mighty busy with Daddy Longhead
these days. The band has a double release party at Emo’s this Friday afternoon
for a 10-inch on Man’s Ruin that was recorded when Ministry drummer Rey Washam
was in the band, and for a new album called Supermasonic on Pinkus’ own
Honest Abe’s Custom Records label. The latter disc will begin getting
distribution from Caroline Records in January. After the release comes a big
two-month tour (51 gigs in 55 days!), which will probably include a gig with
the Buttholes in Orlando, Florida. Touring, he says, will continue off and on
after that for another four months. During their break at the end of the year,
Pinkus says there’s a possibility that the Cows will be added to the list of
acts who have recorded at Honest Abe’s studio.
Mixed Notes
I know, you’re still skeptical about when (or if) the Survival ResearchLaboratories show is coming to Austin. Well, they tell me that the display of
industrial light, magic, and carnage is “definitely on;” there’s just some
adjustment going on as far as the time and place. Currently, expect that show
to come off in December or thereabouts… 101X’s porno-collecting drive may be
going strong, but one assumes that deejay Rachel Marisay was hoping to keep it
on a business level. Unfortunately, someone with a grudge or a twisted sense of
humor has been posting sex ad flyers with her name and number and she says
she’s been getting 10-15 calls a day from gentlemen looking for some hot
action. It’s a shame — she’s so sweet and innocent in person… Michelle
Shocked may not be the most welcome guest at Liberty Lunch in the future.
First, I heard that her husband/manager raised hell about low advance ticket
sales, and then I’m told he smashed a tape recorder that a would-be bootlegger
had in the audience at her show that night. Strange move, considering that her
best-known album was recorded on a Walkman! I tried to contact Liberty Lunch
about the matter, but their answering machine wouldn’t pick up — perhaps Mr.
Shocked ordered all recording devices in the area destroyed?… Yee-Hah!
The Cowboy Jubilee and Western Swing Festival is at Old Settlers’ Park in Round
Rock this weekend. The Texas Playboys perform Friday, Asleep at the Wheel are
there Saturday, and the Cowboy Church finish things up on Sunday… Steve Vai
will be autographing stuff at Blockbuster Music today (Thursday) at 2pm. I
wonder if he’d sign my copy of the “groupie tape”?… Lisa Tingle has an
in-store set at B-buster the next day at 5pm… Houston rapper Big Mello will
be signing autographs at MusicMania Friday at 5:30pm… The Ugly Americans are
shooting a video for “You Turn Me On.” The single just went to radio stations
this week… That Me’shell Ndegeocello sure is hot on Doyle Bramhall II (who
just played the Viper Room and has shows here tonight at Stubb’s and Friday and
Saturday at Steamboat). She talked up Bramhall so much in a recent Los Angeles
radio interview that his manager Mark Proct says, “She sounded like she was a
press agent or something”… Missile Command has a tape release show this
Saturday at Emo’s for their Try Japanese Fast Food cassette. That’s a
five-songer recorded at Music Lane… There’s a benefit to keep the Voodoo
Lounge open this Friday, with Death of Millions headlining. If you can’t figure
out where the benefit will be held, you’ve got a problem… This Sunday is the
“Rock the River Clean” benefit at the LCRA office complex in West Austin.
Jimmie Dale Gilmore, Jimmy LaFave, and Toni Price will play and the event is
free (okay, I’ll admit that I’m stumped by the idea of a free
benefit)… Del-Fi Records has put out a lovely two-disc set of Bobby Fuller’s
Texas-recorded tracks. That comes just in time to coincide with the Unsolved
Mysteries episode about his bizarre death… The T.A.B.C. has been nice
enough to announce that they’ll be conducting sting operations at local clubs
over the next few weeks. Time to start betting on which venues will fall into
their snare… Will Taylor is back from his week-long stint of string
arrangement in Bath, England. Taylor was there at Peter Gabriel’s Real World
Studios working with David Rice on his upcoming Columbia debut. Taylor returns
to the no-cover world of Austin music at Cafe Bremond on Thursdays from
4:30-7pm and Coffee Plantation on Fridays from 5-7pm… Damn! I was feeling
under the weather and had to miss the big secret opening of the new
Threadgill’s. I hear it was so packed that Kim Longacre had a baby while
waiting in line… Updates, Corrections, and such: Following my Bill Hicks
piece two weeks ago, Kevin Booth reports that he’s received a fax from Rykodisc
advising him to, “Finish the album as you see fit and to the best of your
ability.” Looks like that February due date for the Hicks material is on
track… El Flaco will be opening for P-Funk in Oklahoma, not Arizona (my
fault) and the date is November 7, not the sixth (not my fault — it got
changed)… A couple of e-mails came in asserting that Superego guitarist Jacob
Shulze’s nose was not actually broken by the audience member who slugged him at
the Free-For-All, as stated here last week. One writer explained, “I’m pretty
sure that if Nora had wanted to break his nose, she would have done so. Sure
was a nice solid punch, though.”
— Contributors: Raoul Hernandez, Andy Langer, Lee Nichols, Margaret
Moser
This article appears in October 18 • 1996 and October 18 • 1996 (Cover).