Credit: Photo by Sandy Carson

The Jesus & Mary Chain

The Belmont, March 15

Taking the stage with, “We’re the Jesus & Mary Chain, and we’re here to ruin your evening,” the pioneering noise-pop UK combo launched into a hits-heavy set with the midtempo groover “Snakedriver.” Coming after an amped-up performance by the Arkells, the Scottish group seemed subdued, but its dour stage presence remains part of its charm. It’s always been difficult to tell if the band is enjoying its performance. Besides, when you have the cavalcade of singles the Chain laid down here – “Happy When It Rains,” “Head On,” “Just Like Honey,” “Far Gone and Out,” and a burning “Blues From a Gun” – you don’t need to overachieve to make a crowd happy. (It worked for the young man who jumped onstage and attempted to disrobe.) Guitarist Mark Crozer seemed to have trouble with the band’s deliberately simple riffs, but William Reid’s distorted rhythms covered, and brother Jim’s raspy croon was the focus in any case. After the sneering “Reverence,” Jim announced, “This is the part of the show where we go offstage and come back on, but we can’t be fuckin’ bothered.” The band then indulged in three of its noisiest tunes, ending the show with the eardrum-punishing “Never Understand” and letting the piercing waves of feedback push its satiated fans back into the night.

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Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.