“Paper Cuts” features new songs and music videos from Austin artists. Listen to our playlist on the @austinchronicle Spotify.
alexalone, “All I Need”
A five-song soundscape that alternates between brief spurts of uncomfortable quiet and meandering, soothing lullabies, alexalone’s sophomore LP stretches out. Opener “All I Need” bridges that gap, offering an apt primer for ALEXALONE TECHNICAL RESEARCH‘s hardened vulnerability with diaristic impressions of quarantine malaise and gender dysphoria. An insistent riff permeates the first half of the track as Alex Peterson’s muted, embattled verses (“Wanna feel safe/ I don’t feel that way“) build to a full-throttle daydream: “Lose my body/ Would be a sight to see/ It’s all I need.” A feedback fadeout ends the seven-minute single. For the noise-rock trio, it’s all about balance. – Carys Anderson
Large Brush Collection, “Better Be”
Though humorously possessing the genre tag “afternoon napcore” on Bandcamp, Large Brush Collection strikes as an ideal combination of indie folk and math rock. Delicate harmonies and fascinating arrangements loaded with musical eclecticism make it especially heady. “Better Be” – which previews the Austin group’s debut LP, Off Center, out January 26, 2024 – stands as their best track yet, with bassist Nora Predey and flutist Gabriela Torres turning in especially engaging and hooky vocal performances. The single’s compositionally epic enough to justify its five-minute run time. – Kevin Curtin
THEBROSFRESH, “Consent (It’s Been a While)”
Ultracool alternative R&B crooners THEBROSFRESH recently returned with their second release of 2023, “Consent (It’s Been a While).” With a sound that blends elements of soul, rock, and hip-hop, the Louisiana-hailing, Austin-based duo, made up of twin brothers Thurman and Torrence Thomas, are known for their progressive brand of Southern music. Their latest track, which pays homage to the duo’s country-grown roots, is no exception. Twitterpated flirtations and swoon-worthy yearnings make this song as irresistible as THEBROSFRESH themselves, with smooth vocals, silky beats, and just the right amount of twang. – Elizabeth Braaten
Will Johnson, “Of Passengers and Plight”
Will Johnson’s ninth solo LP, No Ordinary Crown, roils a restless reckoning, grappling with uncertain identity in the midst of change. Closing contemplation “Of Passengers and Plight” offers an unsettled homecoming for the album’s tension of guitar fury and meditation on the road: “So I found my way back/ To a place where I belong/ To a point where I can make some sense.” Ricky Ray Jackson’s pedal steel folds like falling snow over Johnson’s weary vocals – with a touch of Vic Chesnutt in the haunted longing – as Lindsey Verrill’s harmony shades a soft promise of light. – Doug Freeman
On Being an Angel, “Hard Luck Woman”
That sailor’s only daughter was too proud to be a queen, but Paige Applin isn’t too proud to cover a Kiss track. On Being an Angel transforms Peter Criss-via-Paul Stanley’s soft rock love song into a power pop anthem. Applin maintains the ballad’s acoustic humility, and there are no left-field changes to the original composition. Still, Nick Flitton almost immediately stomps on his fuzz pedal, and it wouldn’t be an OBAA track without a solo or two. The single B-sides upcoming original “Playin It Cool,” out next month. – Carys Anderson
Touch Girl Apple Blossom, “Sidewalk”
“I see you in the shape of clouds when I look up at the sky/ When you look up at the sky, do you see anything at all?” muses Olivia Garner on “Sidewalk,” the deceptively upbeat second track off recently formed group Touch Girl Apple Blossom’s rollicking first release. Sharing members with equally ear-catching indie rock outfit Funhouse, the quartet’s four-song, 13-minute debut EP embraces catchy twee melodies without abandoning a lo-fi punk edge. Sprightly tambourine taps punctuate the signature surf-punk guitarwork of John Morales (Mujeres Podridas) as Garner mourns the loss of a special someone to a new city. – Genevieve Wood
This article appears in October 13 • 2023.
