Cover Story

Texas Platters

Maybe it took a minute for Gurf Morlix to embrace his songwriting after a career long defined as a local guitar slinger and producer, but 10 albums in, he’s carved out his own distinctive voice as a composer. His remains a voice of graceless epiphanies, raw and rough-hewn, experienced. Yet there’s wisdom and softness in…

Texas Platters

Local DIY label Outer Limit’s most ambitious Instant Leftovers compilation boasts a staggering 19 tracks almost entirely from newer indie-rock Austin artists (aside from the dreamy closing track from Amherst’s Calico Blue). Electro-dance wiz kids TC Superstar take on ABBA’s “Mamma Mia” with a synth-heavy, off-kilter sneer. At the harder end of the spectrum, punk…

Texas Platters

Singer/guitarist/American roots warrior Rosie Flores tackles the blues head-on on this Charlie Sexton-produced collection. Largely an album of covers, Simple Case of the Blues puts the veteran local’s uniquely Texan spin on rollicking pre-rock & roll gems, including Roy Brown’s “Love Don’t Love Nobody,” Ruth Brown’s “I Want to Do More,” and Wynona Carr’s “Till…

Texas Platters

You don’t so much listen to the first compilation from Manor imprint Desolate Sounds as get pummeled by it. The cassette’s eight tracks begin in angular, quivering post-punk with the Bay Area’s Ötzi, slowly unraveling until it hits Austin chaos with local duo Toxic Water. “Transit Mass” feels quietly apocalyptic and brutal, a sludgy overlay…

Texas Platters

“America,” Lesly Reynaga accents with a playful, Latin-tinged cadence, “You were foreign, now you’re mine.” So goes the singer’s proclamation of her Mexican-American identity on opener “All American Girl.” This cultural and lingual fusion powers her sophomore effort Dual Passport, which marks Reynaga’s ascension as one of Austin’s most formidable pop songwriters. She struts with…

Texas Platters

Choose the genre tag not indebted to the immigrant experience: samba, funk, soul, dub. Trilingual, Brazilian-raised by way of Mexico, and Austin-rooted, Frederico Geib makes use of each tradition on Exótico Americano, his memorable solo debut. A founder member of Latin fusionists Ghandaia, Os Alquimistas, world funk psychedelic band Suns of Orpheus, and Brazilian Seventies…

Texas Platters

Austin rap collective Magna Carda pens a short letter on last month’s new EP Ladee, its first release since Dec. 2017 project Coffee Table Talk Vol. 1. Megz Kelli, boasting a confident flow reminiscent of Lauryn Hill, exhibits buttery lyricism over Dougie Do’s production, opting for a more reflective, exploratory tone than before. A harmonic…

Mr. Smarty Pants Knows

Mama Cass Elliot and Keith Moon died in the same apartment (in different years, of course). The apartment was a loaner from Harry Nilsson. In ideal conditions, a termite queen can live for decades. Gummy bears are shaped like bears because the man who invented them, Hans Riegel (founder of Haribo in Germany), was inspired…

Texas Platters

Jenny Carson and Evan Joyce harmonize as if wrapped in one another, but that pairing takes the full length of the duo’s debut to fully embrace. The eponymous debut’s front half plays as a dance between the two locals, feeling out how the one moves against the other. Carson’s polished trill finds its openings within…

Oops!

In last week’s feature on the response to sexual assault in Travis County (“Painful Splits Along the Way to Stopping Sexual Assault in and Around Austin,” March 15), we incorrectly reported that former Sexual Assault Response and Resource Team (SARRT) co-chairs Emily LeBlanc and Dana Nelson had stepped down from those roles in 2017, amid…

Texas Platters

Harlem last left us in the Year of Our Lord 2010, evangelizing the tail end of garage-pop’s comeback wave. Back for their third LP nearly 10 years later, Michael Coomers and Curtis O’Mara still lay in reverb-laden bubblegum influences, this time taking a more subdued route by opting for keys over busted guitar amps. Amidst…

Texas Platters

When Löwin released standalone song “Sloop” in 2017, guitarist/keyboardist/vocalist Sara Houser told the Chronicle she expected its “pop aesthetic” to lead the new album’s direction. The Austin quartet’s full-length debut, Heavy as the Sun, indeed leans heavily into sophisticated dream-pop, eschewing rowdy rock & roll from 2015 EP Royal Jelly. Opener “Sake” begins with a…

Texas Platters

Let’s not be flippant about the state of the nation, but In the Valley makes a case for grooving through the breakdown. New project from Stephanie Mueller and Nate Buckley, Hi, Gene! finds the two trading off vocals as well as guitar and bass, with Rachel Badger on drums. The trio’s tight, 10-track debut skitters…

Texas Platters

A falsetto pierces the opening seconds of “Rooms,” the first track on Taft Mashburn’s ethereal third album, which his band of five recorded live during a studio performance. The six-song collection glides just over the half-hour mark, with each number languorously hanging and drifting into the next like Texas’ summer air. Delivery doused in feeling,…

Soccer Watch

Kléber scored the first goal in Austin Bold FC history last week, but host Reno came back with two to keep the Bold winless after two games in the USL Championship; next up is the home opener against rival San Antonio FC, inaugurating COTA’s Bold Stadium Sat., March 30, 7:30pm. Ticket packages and single-game tickets…

Texas Platters

Long-awaited successor to 2008 debut Bury the Cynics, the Lovely Sparrows’ Shake the Shadow seems preoccupied with authenticity – and a fear of succumbing to numbness and normalcy. The locals’ return builds on multi-instrumentalist Shawn Jones’ playful instrumental intricacies and cerebral lyrics, quiet croon longing above acoustic guitar and synths in a melding of indie-rock…

Texas Platters

Mamahawk sets aim for cosmic pop with hints of Tame Impala or Unknown Mortal Orchestra’s future soul on Brain Invaderz. The six-track sophomore release rises from the earth-tone folk of the Austinites’ self-titled debut, but only hits its target in bursts. Nothing stands out more than the title track opener, where woozy synths aerate guitars…

Texas Platters

“I’ve got eyes and I don’t like what I see,” strains Hunt Sales, staring point-blank at the inevitability of creeping death and lamenting in solemn surrender, “There’s been lonely nights,” on opener “Here I Go Again.” After nearly four decades of shooting dope and smoking rock, the Lust for Life and Tin Machine percussionist has…

Quote of the Week

“Who speaks out if we don’t? Our silence is our greatest threat.” – Mayor Steve Adler, speaking at a March 23 vigil for the victims of the New Zealand mass murder

Texas Platters

Hayes Carll pulled a magic trick with 2016’s Lovers and Leavers, an unexpected turn of sincere meditations on fatherhood and divorce. That album broke from the clever-cloaked, smirking anthems the local songwriter had ridden to national notoriety, proving he could pull beyond sly puns and parodies. It was personal, real. Sixth LP What It Is…

Headlines

Another Sad Night: Nearly 400 people, including Mayor Steve Adler and City Manager Spencer Cronk, gathered Saturday evening at St. James’ Episcopal Church for a vigil to show solidarity with the Muslim community and honor the lives of those killed and wounded in the mass shootings at two mosques in Christchurch, New Zealand. Austin plans…

Texas Platters

Origin stories don’t get much more convoluted: Big Five Chord saxophonist Bryan Murray reconstructed beats sampled from old BFC records for bandleader Jon Lundbom to compose new music over. Then the Austin-based guitarist re-recorded the songs live in studio with his 15-year-old free-bop quintet, making new music out of the new music made from the…

Texas Platters

“Nigga run, nigga run/ Go back where you come from/ Fuck you, I’m America’s son/ This is where I come from.” Getting over the initial shock of hearing the explosive chorus on “This Land” requires some time. Considering the single leads off Gary Clark Jr.’s third major-label studio offering, the track’s bull’s-eye aim at MAGA’s…

Texas Platters

Lonestar is an ode to softness. The first compilation from DFW’s fledgling Peach Bloom Records culls from a spectrum of spaciousness honed in Denton, DFW, and Austin. The glitching beats of China Club and William Austin Clay puncture the peace, but Austin’s offerings stay consistent. The elusive Fuvk’s “Madeline” traverses the intensity of a crush,…


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