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Traveling in Mexico, you frequently encounter changarritos – portable food carts or tienditas run by hardworking entrepreneurs. The carts usually operate outside of any formal regulation and, in that way, mirror the resilience and creativity of Mexican culture. In 2005, artist Máximo González appropriated the concept of the changarrito as a way for artists to take their work directly to the people. The idea came to Austin’s venerable Mexic-Arte Museum in 2012, with dozens of artists displaying art and interacting with the public outside the Downtown gallery. The concept is back and will run through August. – Brant Bingamon

It all began with a list of those little moments and wonders in life, created by writer Duncan Macmillan as a short play called Sleeve Notes. But over time that list evolved through multiple iterations until it finally became Every Brilliant Thing, a one-man play based around the list of everything best in life delivered by a 6-year-old boy to his mother as he tries to understand this thing called depression. Joseph Garlock takes on the part originated by Jonny Donahue, all with the assistance of the audience. Post-show talkbacks with representatives from the National Alliance on Mental Illness Central Texas and Integral Care take place May 3 and 17. – Richard Whittaker

They say Texas is the gun capital of America; no arguments here. And many gun collectors treat them almost like toys, taking pride in amassing safeloads of the things and procuring the latest gadgets. Internationally acclaimed Italian photographer Gabriele Galimberti set out to capture images of American gun owners among their massive collections of weapons for “Ameriguns,” resulting in some stunning imagery. This series is juxtaposed with children showcasing their toy collections for “Toy Stories,” for which Galimberti also made observations about socioeconomic and other factors influencing the subjects’ relationship to their possessions, making for a thoughtful and provocative exhibition. – Kat McNevins

Weekly guided breathwork sessions incorporate lunar and solar cycles, card readings, Kundalini, journaling, and more, and are led by Margaret, who has studied around the world and is a trained midwife, birth & postpartum doula, Reiki master, registered yoga teacher, and kinesiologist.

Art conservation can be a contradiction: to destroy to preserve. Thus it is with the HRC and its efforts to restore the Clarkson Stanfield album, one of the most remarkable volumes in the history of art photography. More correctly known as “100 Calotypes by D. O. Hill, R.S.A., and R. Adamson,” the collection of over 100 salted paper prints was collated by the photographers for landscape artist Stanfield and depicts the lords, laborers, clergy, and scientists of 19th-century Scotland and the landscapes in which they lived. Currently undergoing repairs, the center staff are using its deconstructed state to display 39 plates, along with more works from Hill and Adamson, as separate works since the first time they were bound. – Richard Whittaker

Tusa, Sicily, in addition to being a beautiful seaside Italian village, was also birthplace to artist Jeffrey Dell’s newest monotypes. He created the works during an artist’s residency, utilizing traditional printmaking materials to capture the vertical nature of his surroundings. In his artist’s statement, Dell explains his goal with the monotypes as interrogating what happens between seeing and understanding images. “The mind wants and expects to see certain things and is capable of leaping ahead,” Dell writes. “Mostly those leaps are amazingly correct, but sometimes they’re wrong. I’m trying to make work that creates a moment when it’s possible to notice such dynamics while also avoiding the ‘punchline’ of an optical illusion – that is, to deny a moment of ‘getting it.’” – James Scott

How do we experience each singular second of our lives? An enormous question for an event listing, sure, but that’s exactly what artist Karn Knutson tackles in her current exhibition. “Knutson attempts to show us ourselves in moments of reflection,” the show description reads, “contemplating the transitions through life, processing the struggles, finding ways forward with knowledge, sometimes hard lessons from our past, and learning from our choices good and bad. She aims to represent the things we all feel but can’t always express until we see something that lets us talk about it outside ourselves.” Maybe the something that unlocks your inner feelings is waiting just inside Link & Pin, ready to unleash all those singular seconds. – James Scott

This local treasure of a venue, run by those Contemporary Austin folks who also bring us the Jones Center shows Downtown, is all about the outdoors – which is perfect for these trickily navigated times of ours, n'est-ce pas? Recommended: Stop by and breathe in the air, enjoy the lawns and gardens and the many examples of world-class sculpture arrayed across the property, and (as Frankie used to say) r-e-l-a-x.