Posted inScreens
Brea Grant Gets in the Grind at SXSW
The UT alum’s new anthology horror strikes at the horrors of late-stage capitalism
Screens
Posted inScreens
From Teammates to Family in SXSW Sports Doc Summer of ’94
Filmmakers and fans Dave LaMattina and Chad Walker look back at the moment soccer became America’s sport
Posted inScreens
Tempest in a Fishbowl
SXSW doc Amazing Live Sea Monkeys brings the crazy legal battle over the childhood novelty to the screen
Posted inScreens
There’s Nothing Normal About Ben Wheatley
The British filmmaker breaks down his new neo-Western with Bob Odenkirk
Posted inScreens
The Fight for Free Thought in First They Came for My College
How Holly Herrick brought an unexpected filmmaker to the battle for her alma mater
Posted inScreens
Cosmic Horror Meets Matrimonial Mayhem in Imposters
Writer/director Caleb Phillips explores keeping the mystery mysterious in this SXSW Midnighter
Posted inScreens
Horror Heals a Marriage in And Her Body Was Never Found
How Mor Cohen and Polaris Banks put their real-life relationship problems onscreen
Posted inScreens
File Under: Movies for Sickos
Austin writer/director Macon Blair takes O’Shea Jackson Jr. and Dave Franco on the road trip from hell in The Shitheads
Posted inScreens
The Sincerity of Silliness in The Peril at Pincer Point
Jake Kuhn and Noah Stratton-Twine get delightfully crabby for their micro-budget seaside tale
Posted inFilm Review
Undertone Review: The Terror at the Edge of Hearing
Podcast horror is a masterclass in understated dread
Posted inScreens
Ready or Not, Here They Come
Directors Matt Bettinelli-Olpin and Tyler Gillett give a sense of family for bloody sequel Ready or Not 2: Here I Come
Posted inScreens
A Lens on Honky Tonk Legends
They Called Us Outlaws seeks the independent artistry behind country music’s mythic Seventies
