Posted inFilm Review
Fuze Review: Disposable UK Actioner Squanders a Good Premise
The clock is ticking on an unexploded WWII-era bomb
Screens
Posted inScreens
Get Sad! Bleak Week Comes to the Paramount and Hyperreal Film Club
Local cinemas join with American Cinematheque to celebrate the gloomier side of cinema
Posted inScreens
Art, Lies, and Handheld Cameras: Steven Soderbergh on The Christophers
The director takes on the thorny subject of artistic ownership in his new film
Posted inFilm Review
The Stranger Review: Alienated in Algiers
François Ozon crafts what may be the best possible adaptation of Camus’ classic novella
Posted inFilm Review
The Christophers Review: But Is It Art?
Steven Soderbergh is on a hot streak with a heady, sort-of heist pic
Posted inFilm Review
Lorne Film Review: Behind the Scenes at Saturday Night Live
Morgan Neville’s affectionate profile offers access, but not a lot of insight into SNL’s legendary creator
Posted inScreens
Paramount Announces Summer Classic Film Series Kickoff and Spy Kids Anniversary Screening
Plus a sneak preview of the rest of the season with Return of the Jedi
Posted inScreens
How the Lonely Heart of Suzanne Vega’s Lover, Beloved Came to Austin
Michael Tully turns AFS Cinema into a film studio for this love letter to a Southern Gothic trailblazer
Posted inScreens
ATX TV Festival Gets Exclusive First Look at House of the Dragon Season 3
Fest also announces awards for Scrubs creator, Friends producer
Posted inFilm Review
Exit 8 Review: The Terror of Repeating Yourself
Minimalist video game adaptation is a victory of understatement
Posted inFilm Review
Hamlet Review: Tragedy Minus Time
A super-streamlined, modernized spin on the Bard is ambitious, but not to be
Posted inFilm Review
Faces of Death Review: Get Back in the Grave
Meta remake of the sleazy “documentary” is as unwatchable as the original (for very different reasons)