Posted inFilm Review
Two Women Review: Sex and the Married Woman
Remake of classic Canadian raunchy comedy swaps farce for observational humor
Screens
Posted inScreens
Bill Wise, a Constant Presence in Austin’s Film Scene, Dies at 61
Local filmmakers pay tribute to one of the city’s most recognizable faces
Posted inFilm Review
Hokum Review: A Terrifying Welcome in the Haunted Isle
Adam Scott brings his own ghosts with him as an American author in bewitched Ireland
Posted inFilm Review
Mārama Review: Cold Vengeance From the South Pacific
Colonialist destruction of Māori history rewritten as a Gothic horror
Posted inFilm Review
Everyone Is Lying to You for Money Review: Mr. McKenzie Goes to Washington
A lively documentary from “that guy from The O.C.” makes the case against cryptocurrency
Posted inFilm Review
Animal Farm Review: Not All Adaptations Are Created Equal
Andy Serkis misses the point of Orwell’s masterpiece for a muted, muddled contemporary metaphor
Posted inFilm Review
Over Your Dead Body Review: Shotgun Wedding
Jason Segel and Samara Weaving wage bloody warfare in this marital horror-comedy
Posted inFilm Review
Mother Mary Review: All the Little Monsters
Anne Hathaway and Michaela Coel redefine pop horror in David Lowery’s supernatural tale
Posted inFilm Review
Fuze Review: Disposable UK Actioner Squanders a Good Premise
The clock is ticking on an unexploded WWII-era bomb
Posted inScreens
Get Sad! Bleak Week Comes to the Paramount and Hyperreal Film Club
Local cinemas join with American Cinematheque to celebrate the gloomier side of cinema
Posted inScreens
Art, Lies, and Handheld Cameras: Steven Soderbergh on The Christophers
The director takes on the thorny subject of artistic ownership in his new film
Posted inFilm Review
The Stranger Review: Alienated in Algiers
François Ozon crafts what may be the best possible adaptation of Camus’ classic novella