Posted inFilm Review
Review: Catch the Nouvelle Vague
Richard Linklater captures a giddy revolution on the set of Breathless
Screens
Posted inFilm Review
It Was Just an Accident Review: No Exit
Jafar Panahi bravely explores the limits of revenge against institutional cruelty
Posted inScreens
Austin Film Festival Review: Sell Out
Austin-made lyrical comedy about the straight-and-narrow is best in its detours
Posted inScreens
Austin Film Festival Review: Eternity
I Married Joan: What a girl, what a whirl, what a life
Posted inScreens
Austin Film Festival Review: Nuremberg
Russell Crowe and Rami Malek explore the banality of evil in the trials that brought the Nazis to justice
Posted inFilm Review
Austin Film Festival Review: You’re Dating a Narcissist!
Marisa Tomei leads a rom-com that overinvests in its pop-psychology premise
Posted inScreens
Picking Up The Black Phone a Second Time
Scott Derrickson and C. Robert Cargill explain how to make a period-perfect horror film – twice
Posted inFilm Review
Bugonia Review: Bugging Out
Emma Stone and Jesse Plemons take a cutting from a bizarre Korean eco-satire, but it barely sprouts
Posted inFilm Review
Shelby Oaks Review: A Silent Scream
Camille Sullivan will rip your soul apart as a woman on a damned quest
Posted inFilm Review
Review: Linklater’s Blue Moon Shines
Ethan Hawke transforms himself for tragic end of a musical giant
Posted inFilm Review
Springsteen: Deliver Me From Nowhere Review: A Rock God Turns Down the Volume
Muted biopic depicts the recording of Nebraska and a reckoning with depression
Posted inFilm Review
Urchin Review: A First-Time Director, and a Star-Making Performance
Frank Dillane stars in Harris Dickinson’s restrained portrait of life on and off the streets