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for Mon., Feb. 27
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  • Arts

    Visual Arts

    Window Dressing XXV: Corolla Celica 2023

    Corolla is a Latin word meaning “small crown,” while Celica is derived from the word coelica, also Latin, meaning “heavenly” or “celestial.” The Corolla and the Celica are two of the most popular cars ever manufactured by the Japanese automaker Toyota, although exporting of the Celica ceased in July 2005. This "Corolla Celica 2023" window dressing, a series of works by Goodluckhavefun's Timothy McCool, comprises wooden shapes collaged together to evoke suburban and exurban landscapes.
    Artist Reception: Friday, Feb. 24, 7-9pm
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  • Community

    Events

    Creek Show Call for Ideas

    Waterloo Greenway welcomes Austin’s creative community to submit ideas for light-based art installations to be displayed at Creek Show this November, which is always a luminous experience. Designers from a wide variety of disciplines are encouraged to submit ideas. See photos from last year's "Creek Show" here.
    Through March 10. Free.  
    Apply online
  • Community

    Events

    Field Order 15: And Other Broken Promises

    Carver Museum ATX presents an exhibit examining the paradox of American exceptionalism and the call for reparations, with film, sculpture, and two-dimensional work from 11 artists who were asked to consider what is required for America to atone for the continued denial of full citizenship to Black people, and what repair would feel like in the body.
    On view throughout Black History Month. Free.  
  • Arts

    Visual Arts

    Landmarks: Self-Guided Walking Tour

    Use your smartphone to access self-guided tours of the outdoor public art sited by UT's award-winning Landmarks program any time you feel like it. BONUS: There's also a free, docent-led tour starting at Marc Quinn's "Spiral of the Galaxy" (1501 Red River) on Sun., Jan. 8, 11am.
  • Arts

    Visual Arts

    The Blanton: Day Jobs

    This first major exhibition to examine the overlooked impact of day jobs on the visual arts is dedicated to demystifying artistic production and upending the stubborn myth of the artist sequestered in their studio, waiting for inspiration to strike.
    Through July 23

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