Posted inScreens
An Old Crime Bubbles to the Surface in Descendant
Margaret Brown observes a drowned history
Anne S. Lewis
Posted inScreens
The Only Constant on Congress Is Change
Liz Lambert chronicles being both sides of the gentrification debate in Through the Plexi-Glass
Posted inScreens
Austin Polish Film Festival Breaks New Ground and Keeps Up With Tradition
The 14th fest focuses on the media’s responsibility and the perspectives of women
Posted inScreens
Pain, Pathos, and Prescience: The Work of Agnieszka Holland
AFS and Austin Polish Film Festival celebrate the Polish pioneer
Posted inScreens
Pain, Pathos, and Prescience: The Work of Agnieszka Holland
AFS and Austin Polish Film Festival celebrate the Polish pioneer
Posted inScreens
Eugene Mirman Gets Intimate in It Started as a Joke
Documenting the 10-year run of an underground comedy revolution
Posted inScreens
With a History Like That …
The Austin Polish Film Festival delves into the country’s complicated past
Posted inScreens
The Past Casts a Long Shadow
History is now at this year’s Austin Polish Film Festival
Posted inScreens
SXSW Film Review: Best of Enemies
Hugely fun doc about Buckley and Vidal’s infamous debates
Posted inScreens
SXSW Film Review: The Look of Silence
Oppenheimer returns to the scene of The Act of Killing
Posted inScreens
Through an Afghan Lens Darkly
In Frame by Framefour photojournalists navigate a newly free press in Afghanistan
Posted inScreens
An Actress Plays Herself in the Role of a Lifetime
A documentary filmmaker finds his subject living next door