Posted inArts
PCX Austin Offers Fan Fun at the Fairmont
PCX co-founder Miriam Kruger explains why their con is here for the long run
Richard Whittaker
The Chronicle's first Culture Desk editor, Richard has reported on Austin's growing film production and appreciation scene for over a decade. A graduate of the universities of York, Stirling, and UT-Austin, a Rotten Tomatoes certified critic, and eight-time Best of Austin winner, he's currently at work on two books and a play.
Posted inFilm Review
The Rivals of Amziah King Review: Voice of the Beehive
Matthew McConaughey is kind above all things in this tragicomic story of Oklahoma honey farms
Posted inFilm Review
The End of Oak Street Review: Nostalgia Is a Trap
Producer J.J. Abrams yet again tries and fails to be 1982 Steven Spielberg
Posted inFilm Review
Tony Review: Portrait of the Artist as a Young Lout
Dominic Sessa burns with teen ire as the young Anthony Bourdain in the summer that made him a chef
Posted inFilm Review
Cookie Queens Review: Youthful Exuberance Meets Late-Stage Capitalism
SXSW award-winning documentary about Girl Scout Cookies relies on the sweetness of its subjects
Posted inFilm Review
The Samurai and the Prisoner Review: Mystery and Revelation in Feudal Japan
Horror legend Kiyoshi Kurosawa crafts a lyrical historical drama in which immutable fate is less important than our response to it
Posted inFilm Review
Ice Cream Man Review: Summer Bummer
Brain freeze is preferable to Eli Roth’s latest boring gorefest
Posted inArts
Repeating a Cosmic Horror Cycle in Speak No More: Lovecraft
Theatre troupe La Fenice’s improvised drama creates new perspectives on eldritch terrors
Posted inATX Film News
First Look: New Nature Documentary Deep in the Heart 2: Texas Rivers
Austin filmmaker Ben Masters teams up with Ethan Hawke for new film about the Lone Star State’s waterways
Posted inScreens
Matthew McConaughey to Be Honored With His Own Drafthouse
Ahead of the release of his new film, Alamo Mueller to be renamed the Matthew McConaughey Cinema
Posted inScreens
12 Years: Richard Linklater Returns to Boyhood
The filmmaker looks back on his intimate epic, and why it was always a film meant to be revisited
Posted inFilm Review
Sheep in the Box Review: Digital Cuckoo in an Empty Nest
Hirokazu Kore-eda fails to really engage with his own story of AI-assisted grieving