Posted inArts
Review: Ground Floor Theatre’s Dot
An authentic albeit imbalanced emotional journey into dementia
Bob Abelman
Posted inArts
Review: Austin Shakespeare’s A Midsummer Night’s Dream
Less-than-magical production salvaged by a night of unexpected spontaneity
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Review: Broadway in Austin’s Summer: The Donna Summer Musical
Now is the Summer of our discontent after this flat jukebox
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Review: Zach Theatre’s Somebody Loves You, Mr. Hatch
Surprisingly minimalist adaptation of beloved kids book still enchants
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ScriptWorks’ Out of Ink 2022: Unusual Embrace
Short-form showcase spotlights local artists in 10 minutes or less
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Review: City Theatre’s Who’s Afraid of Virginia Woolf?
A perfect measure of schadenfreude on the rocks, with an angst chaser
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Review: Zach’s The Rocky Horror Show Still Tasteless, Plotless, Pointless, and Perfect
Cult classic is a welcome jump to the left, step to the right
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Review: The City Theatre’s An Ideal Husband
It’s the girls gone Wilde that rule this rendering
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Review: TexARTS Theater’s Sweeney Todd
Despite fruitless tweaks to the storytelling, this is a tale that still has bite
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Review: Street Corner Arts’ Strange, But Perfect
World premiere is a delightful treatise on the stuff of which friends are made
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Review: Hideout Theatre’s Bah, Humbug!
Fun Dickensian long-form is a short-term cure for the pandemic blues
Posted inArts
Hamilton’s Return Still Lives Up to the Hype
Lin-Manuel Miranda’s Broadway smash returns to the Bass refreshed and revitalized