Posted inArts
Review: Broadway in Austin’s Chicago
Hello, suckers! The classic is back in its scandalous glory
Bob Abelman
Posted inArts
Review: Glass Half Full Theatre’s Yamel Cucuy
Modern-day Mexican folktale rallies against things that go bump in the night
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Review: Georgetown Palace Theatre’s Cabaret
A risky and risqué staging opens the company’s season of stalwart productions
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Review: Jarrott Productions’ The Pact
This new, locally sourced play cleverly covers its dark comedy center with a thick sitcom coating
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Review: Different Stages’ Shining City
As with all Conor McPherson plays, the devil is in the details
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Review: Zach Theatre’s The Inheritance, Part 2
Second installment of this audacious opus is too much of a good thing
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Review: Alchemy Theatre’s The Virgin Trial
Elizabeth I’s violent life reimagined as part The Crown, part Criminal Minds
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Review: The City Theatre’s The Fantasticks
Reverential and sharp production of the classic musical celebrates its subtleties
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Review: Zach Theatre’s The Inheritance, Part 1
Epic in length and ambition, this portrait of gay life in the 21st century is stunning
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Review: Ground Floor Theatre’s Anna in the Tropics
Life imitates art in this tantalizing production of a Pulitzer-winning play
Posted inArts
Review: The Stage Austin’s Hedwig and the Angry Inch
An audacious but underwhelming walk on the wild side