The Unexpectedly Bad Hair of Barcelona Smith

by Keith Graves

Philomel Books, 32 pp., $16.99

Barcelona Smith does not have bad hair. The boy’s got hair straight out of Easy Rider. Blueberry blue too. And prudent, like its bearer: no monkey bars or slobbering dogs. Smiling’s out of the question, really – might catch a bug in those pearly whites. Indeed, the world’s fraught with peril. Roses are strictly o-u-t on the Bret Michaels’ principle (BMP) alone, Frida Kahlo’s thorny tangle notwithstanding. Barcelona is, of course, anything but ill-prepared. He’s got his umbrella, handled properly at all times with rubber dishwashing gloves. The surgeon’s mask is standard issue. “Then one humid Wednesday, Barcelona’s hair ran amuck.” We’ve all been there; you just hate to see a kid go through it the first time. “The Smith hair went bananas.” Think Jimi Hendrix. “His hair skated down the sidewalk, climbed a tree, jumped a rope.” Anarchy, pure and simple. Barcelona’s hair – with a flip of the long, gray locks to Jimmie Dale Gilmore – springs a mind of its own. The psychedelic landscapes and palette of Austin inkosaur Keith Graves know no less, spring-loaded with big toes, Mark Twain pussycats, and bugs. Barcie, in an upside-down close-up, is simply a Dahl; his Tina Turner ‘do two pages later pure coral reef. Graves’ Loretta, Ace Pinky Scout was sugar ‘n’ spice, while 3 Nasty Gnarlies snorted far worse than snails and puppy dog tails. The Unexpectedly Bad Hair of Barcelona Smith is for anyone in dire need of a good shampooing.

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San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993.