Farmworker’s Daughter: Growing Up Mexican in America

by Rose Castillo Guilbault

Heyday Books, 164 pp., $20

Almost 20 years ago, Rose Guilbault gave this freshly minted college survivor his first professional break in journalism. Like my mother who referred me, Guilbault, at that time a television executive in San Francisco, belonged to the front-line generation of career women defining emancipation in the Seventies. Being Hispanic upped the empowerment quotient; in my case, family and race were likely the most significant accomplishments on the poorly proofed résumé Guilbault generously forwarded to an influential eldress at the local NBC radio affiliate. Farmworker’s Daughter: Growing Up Mexican in America knits familia y raza together into a deceptively simple, if unspoken, universal truth with all the homespun efficacy of Guilbault’s maternal brood spinning ghost stories in a Yaqui Indian adobe near Nogales, Mexico, where the author was born. In adolescence, Sears-catalogued “Books of Dreams” and the family’s first TV (“symboliz[ing] our connection to America”) eased a lonely only’s “psychological isolation in American culture” out in the lush farmlands of California’s Salinas Valley. Half a century later, the author’s warm, succinct way with words marks a career, and memoir, well staked. In the acknowledgements to Farmworker’s Daughter, Guilbault hands off the ledger: “To my daughters, Natalie and Jacquie, who carry the gift of storytelling, I hope they honor this family legacy by passing it on to their own generations.” Such is the immigrant song: Never break the chain. Gracias Rose, seguramente.

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San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993.