Credit: Photo By Mary Sledd

Whereas Bob Newhart updated his trademark phone schtick with a cellular prop last month at the Paramount Theatre, Bill Cosby rang up Mother’s Day at the Bass Concert Hall with the real thing. Nearly 40 years after stand-up classics “Mothers and Fathers” and To Russell, My Brother, Whom I Slept With, Cosby, 67, riffed familial via the vantage point of parent- and grandparenthood for a two-hour, PAC-shaking belly laugh, highlighted by the comic’s extended phone conversation with a front-row patron’s teenage daughter. Geriatrics at a 1-year-old’s birthday bash, an anecdote about Russell, and an end-note flashback, “Dentists,” were all delivered in burnt orange with burnt orange burps and the admonishment not to worry a guy by waiting until the last minute to fill his home away from home.

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San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993.