Various Artists
Local Studios
Ongoing
Are you an art lover who can’t make it to the galleries? Would you like to
meet some local artists and see where they work? Are you just looking for
something a little different to do on Wednesday evenings? Bob Russell can fix
you right up with Art Tours, a new project devoted to introducing local artists
to folks like you.
Every Wednesday for five weeks, Russell leads a tour group to meet Austin
artists — two to three each night — in the places where they create their
work. On a recent outing, the tour visited Malcolm Bucknall in his house full
of beautifully bizarre Raphael-meets-Audubon paintings, and Sinclair Black,
wunder-architect of Austin. Each artist provided engaging details about his
work, and the experience was enhanced by the fact that their works are vastly
different — a fact that is important to Russell. His tours include artists of
diverse styles and media: painters, photographers, ceramicists, sculptors, and
soon, performance artists.
“What I’m trying to do is give people in Austin a chance to go into artists’
studios,” Russell says, to discover first hand the processes which take place
in creating art. “The response,” says Russell, “from the artists to the people
in the classes, has been great. It’s a great situation for everyone.”
Art Tours is a great program, both for the rare opportunity it provides to
understand artists and the thinking behind their work but for the introduction
it offers to many of Austin’s finest artists. In addition to Bucknall and
Black, Art Tours has already visited Sydney Yeager, Bob “Daddy-O” Wade, Dan
Sutherland, and Stella Bernstein, and tentatively slated for future visits are
Tr� Arenz, Sam Coronado, and Julie Speed.
Austin’s visual arts scene is often accused of having no solidarity or
“community” — more a result of the scene’s infancy than the implied
complacency. Programs like this are an excellent way to counter that; they
involve art lovers more actively in the scene and help local artists realize
that there is a viable community of art lovers here. Call 708-0577 for
info on the Tours.
Tutu Egun
Various Artists
W.H. Passon House
through November 24
Tutu Egun is an African term that means “being in harmony with our ancestors’
spirits.” Within that meaning lie traditions and beliefs that many
African-Americans are trying to retain, despite their submersion in Western
culture.
Austin has a strong network of artists doing just that, and Tutu Egun, an
exhibit of small works, is an offering and tribute by them to their African
ancestry. Eight artists, including Arleen Polite and Michael Ray Charles, each
created a work specifically for the show that makes a statement about black
heritage.
“The honoring of the dead has been a part of our culture since Africa, where
you didn’t do anything without honoring the ancestors, from harvesting the
fields to naming your kids,” says exhibit director Nailah Sankofa, who is
“Chief of Tribes” for Black Artists’ Support Network and Co-op, the sponsoring
organization. “With this, we wanted to do something unique to honor our
ancestors that would bring artists together.”
The works vary in tone; some convey an element of anger, others contentment,
others — such as Steve Jones’ “Thunderstone”– aren’t so easily categorized.
The multimedia sculpture contains, among other elements, a bent saw covered in
spiky screws. “Thunderstone” has layers of meaning that deal with appeasing not
only ancestors, but also “Shango,” the traditional Force of Nature.
Sankofa’s contribution, an elaborate altar/shrine, pits Old World objects of
worship (bird feathers, a carved flute) against New (a Barbie Doll, a cassette
tape). “This is a reminder of how modern times make us forget our culture,”
Sankofa says.
That is what these artists want to prevent, and they need your help. They’re
seeking gallery sitters for two-hour shifts. It’s an excellent way to get
involved in an enlightening project. Call 477-4247. — Cari Marshall
This article appears in November 8 • 1996 and November 8 • 1996 (Cover).