Playwrights love to get their characters liquored up. ‘Cause nothing says “Stagy self-destruction on the way” quite like constantly taking belts from a bottle or shot after shot at a bar. In doing so, though, these writers have been known to take dramatic license with the booze they dispense, pouring amounts down their creations’ throats that would shut down the livers of the most hardcore imbibers long before the curtain drops. To illustrate, here are the tipple totals from a few classic plays and their effects, on the stage and off.
Sister Sarah Brown, Guys and Dolls
Amount drunk: Four Dulce de Leche rum cocktails
Effect in the play: Uncharacteristic flirtatiousness, dance fever, suddenly singing “If I Were a Bell”
Effect in real life: Wooziness, slurred speech, unintentional napping
James Tyrone, Long Day’s Journey Into Night
Amount drunk: Five glasses of whiskey on top of three-quarters of a bottle before Act III starts
Effect in the play: Inability to play cards, “hopeless stupor,” indiscriminate quoting of Shakespeare
Effect in real life: Double vision, inability to operate heavy machinery, industrial-strength hangover
Brick, Cat on a Hot Tin Roof
Amount drunk: Nine glasses of bourbon on the rocks, plus three shots of bourbon back to back
Effect in the play: A “click in the head” that makes everything peaceful
Effect in real life: Dehydration, blackout
Martha, Who’s Afraid of Virginia Woolf?
Amount drunk: 11 glasses of gin, on top of who knows how much at a party before the play starts
Effect in the play: Even more vicious than usual verbal abuse of husband, physical aggression
Effect in real life: Severe alcohol poisoning
Counting the Cocktails
A version of this article appeared in print on Jul 21, 2017 with the headline: Counting the Cocktails
This article appears in July 21 • 2017.