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Hot on the heels of a production I called “rare and wonderful,” the all-ASL Deaf Austin Theatre stomps through stereotypes with their newest production. Playwright and star Ashlea Brittney Hayes pens the story of Ghari, a mid-30s deaf, blind, Black woman. She’s facing an utterly new world in the wake of a move, a new job, and a breakup. Join Ghari as she adjusts to massive changes and traverses the most dangerous scene of all – dating. If you can’t catch it live, snap up a ticket for the streaming broadcast June 1. – Cat McCarrey

The annual celebration of the art of the ecdysiast – that’s stripping to you and me – gets the crowd warmed up with an opening show at Kick Butt Coffee before two nights of dropped, tossed, and discarded apparel at the Long Center. Proving its commitment to the history of the hurly-burly, the festival spotlights two true legends of the art of the tease: the Godfather of Neo-Boylesque, TIGGER!, and the inimitable Lovey Goldmine, an icon who worked with Scatman Crothers and Merv Griffin, on stages from Paris’ Crazy Horse Saloon to Las Vegas’ Cabaret Burlesque Palace. – Richard Whittaker

Theatre by any other name would be as sweet, but … there’s just something about the name “Shakespeare” that screams all the world’s a stage and we’re just living in it. And nothing screams Shakespeare more than Romeo and Juliet. Submerge yourself in a true Shakespearean experience with his famous star-crossed lovers. Tickets are free, but make sure to snap up a reservation before you head out. Feel the romance, the tension, the sorrow, in person. Besides, the Curtain Theatre’s outdoor setting is the perfect place to bask in the bard. Shakespeare and starlight?: A winning combo. – Cat McCarrey

Past, present, and … Futurx, the latest and final installment of ProyectoTEATRO’s cabaret trilogy covering 500 years of Latin American history. In this part, the multi-talented cast brings to life “the political-toxic relationship between the United States and Mexico, the American Dream, the druglord underworld of Latin America, and the mysterious mermaids of the gulf of Mexico,” as the event copy states. How do they do it? Why, through theatre, music, sketch & improv comedy, and dance: elements which blend together and create an out-of-this-world spectacle inspired by very of-this-world history. – James Scott