Year Released: 1996 Directed By: Farhad Mann Starring: Patrick Bergin, Matt Frewer, Ely Pouget, Austin O'Brien, Kevin Conway (PG-13, 93 min.)
I just don't get it. In 1975, Stephen King published a short story entitled The Lawnmower Man, a grisly little item about a naked freak who eats grass and runs his victims down with a, well, you know. Later, in 1992, Brett Leonard directed a film version, which had absolutely nothing to do with King's story, but was instead a sort of high-tech melding of elements from Frankenstein and Of Mice and Men. Okay, whatever. Now it's 1996 and we have The Lawnmower Man 2: Beyond Cyberspace, which, rather than a direct sequel, is a futuristic action/sci-fi/romantic comedy. How did this happen? Watching this would-be sequel, one gets the same feeling as watching, say, Highlander II: The Quickening -- namely, confusion and disorientation, not to mention an overwhelming lack of respect for the moviegoing audience. The plot for this “follow-up” concerns an earthy scientist who teams up with a ragtag group of street kids in order to stop Jobe, the mental simpleton who became a cyberspace god in the first Lawnmower Man, from destroying the world and thereby forcing people to “jack” into the computer world that he's created and… oh, never mind, it doesn't really make any sense anyway. The cast, with the exception of the normally likable Matt Frewer (who decides here to simply repeat his Max Headroom shtick rather than continue playing the character created by Jeff Fahey in the previous movie), tries hard to deliver credible performances, but they are truly fighting a losing battle. Writer-director Farhad Mann (yet another alumnus of the admittedly superb Max Headroom television show) offers a slick visual style and piles on the visual effects, but it's his script, filled as it is with illogical plot twists and endlessly silly “tech talk” dialogue, that ultimately makes the picture so laughable. Lawnmower Man 2: Beyond Cyberspace is a bad movie, wrongheaded in its concept and empty in its execution.
Antichrist Lars von Trier lives to affront again. Chaos, indeed, reigns. - Marc Savlov The Blind Side John Lee Hancock, director of The Rookie, scores with another sports drama, this time concerning a true football story. - Kimberley Jones Fantastic Mr. Fox Opens Wednesday. - Marjorie Baumgarten The Messenger Woody Harrelson and Ben Foster play two members of the military's casualty notification team, which delivers bad news to soldiers' next of kin. - Marjorie Baumgarten Ninja Assassin Opens Wednesday. - Marjorie Baumgarten Old Dogs Opens Wednesday. - Marjorie Baumgarten Planet 51 In a switcheroo, animated aliens fear the human in their midst. - Marc Savlov Precious: Based on the Novel 'Push' by Sapphire Much like the title character Precious, this rough-hewn movie overcomes the unlikely odds for its success. - Marjorie Baumgarten The Road Opens Wednesday. - Marjorie Baumgarten The Twilight Saga: New Moon Edward and Bella are back for more thwarted young vampiric love. - Marjorie Baumgarten Until the Light Takes Us This music documentary chronicles the history, ideology, and aesthetic of Norwegian black metal. - Raoul Hernandez