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Theatre by any other name would be as sweet, but … there’s just something about the name “Shakespeare” that screams all the world’s a stage and we’re just living in it. And nothing screams Shakespeare more than Romeo and Juliet. Submerge yourself in a true Shakespearean experience with his famous star-crossed lovers. Tickets are free, but make sure to snap up a reservation before you head out. Feel the romance, the tension, the sorrow, in person. Besides, the Curtain Theatre’s outdoor setting is the perfect place to bask in the bard. Shakespeare and starlight?: A winning combo. – Cat McCarrey

Thanks to Seventies funk band War, the word “lowrider” often calls to mind the unforgettable sax riff of the band’s 1975 No. 1 single. But lowrider can mean a snazzy customized car with hydraulics or a person who works on such a vehicle, and the culture around these cars has strengthened Mexican American communities in the Southwest since the Forties. Learn more about them at this exhibit featuring an interactive touchscreen mural, cars and bikes on display, and stories about the people who make lowriding a community. A member reception takes place May 18. – Kat McNevins

The impeccably named MuthaGoose is the collective brainchild of artists Jill Garcia and Kim Phu. They are two of the baddest muthas around, debuting their collaborative creativity with the sly, wry, “Luster Woo” exhibit at the Butridge Gallery in the Dougherty Arts Center. Both are well-versed in playing around with mediums, crafting sculptures and paintings created from all manner of found or upcycled items. For “Luster Woo,” MuthaGoose present their nostalgic-but-modern takes on women’s issues. On Wednesday, Jill Garcia will be present for the artist reception, answering questions about the duo’s process. Check out these indelible visuals highlighting how the more things change, the more things stay the same. – Cat McCarrey

Vessel: a container that holds things. Vessel: a person infused with a quality. What quality? Any. Feel free to interpret it yourself when basking in Diane Chiyon Hong’s exhibit “Vessels – Handle with Care.” Her architectural sketches, part function, part form, part object, part person, part humor but all thought-provoking, currently grace the halls of the Asian American Resource Center. It’s Asian American Native Hawaiian and Pacific Islander Month, so why not pay the AARC a visit. I mean, if not now, when? – Cat McCarrey

“What will you do with your one wild and precious life?” asks the poet Mary Oliver. So do the artists Amanda McInerney and Lana Waldrep Appl, taking inspiration from Oliver’s question to create works highlighting the small but important beauties in our lives. McInerney’s work presents bold, botanical elements through mediums from print to stitched mixed-media art, confident graphics speaking against the unknowns in the world. Appl is a perfect highlight with that, her object-based work (showing plants, toys, ceramics) begging us to consider what is useful and actually important in the small moments. – Cat McCarrey

A special program for visitors ages 0-3 and their families, providing caregivers and early learners the chance to experience the children's museum together. Thinkery will host two storytimes and free play that support the social, emotional, and cognitive development of the earliest learners.

Past, present, and … Futurx, the latest and final installment of ProyectoTEATRO’s cabaret trilogy covering 500 years of Latin American history. In this part, the multi-talented cast brings to life “the political-toxic relationship between the United States and Mexico, the American Dream, the druglord underworld of Latin America, and the mysterious mermaids of the gulf of Mexico,” as the event copy states. How do they do it? Why, through theatre, music, sketch & improv comedy, and dance: elements which blend together and create an out-of-this-world spectacle inspired by very of-this-world history. – James Scott

That's right: Cap City Comedy Club, the longtime cornerstone of Austin's comedy scene for nearly four decades is at a new venue in the Domain. And here's Valerie Lopez with a closer look at what's in store for the scene via the venue. Click for details!

I’m a bona fide sandwich lover and a staunch believer in prison reform, so Clyde’s sounds just delectable. Ground Floor presents the story of a truck stop shop that employs former prisoners in the kitchen. The owner might not believe in them, but will they find a way to believe in themselves? First, anything set around food is guaranteed to be aces in my book. But finding a way to integrate human kindness with edible delicacies? Irresistible. Check it out, and discover just how delicious hope can be. – Cat McCarrey

ColdTowne's new brick-and-mortar place is totally open, and who knows what they'll shake this city with next? But one truth remains: ColdTowne is a designated den of gold, baby, sweet comedy gold.

Traveling in Mexico, you frequently encounter changarritos – portable food carts or tienditas run by hardworking entrepreneurs. The carts usually operate outside of any formal regulation and, in that way, mirror the resilience and creativity of Mexican culture. In 2005, artist Máximo González appropriated the concept of the changarrito as a way for artists to take their work directly to the people. The idea came to Austin’s venerable Mexic-Arte Museum in 2012, with dozens of artists displaying art and interacting with the public outside the Downtown gallery. The concept is back and will run through August. – Brant Bingamon

Art and … math? Not as improbable as it may seem, especially when seen through the veil of fantasy. And that’s exactly what artist/gallerist/therapist Deanna Miesch does. Compiling works inspired by 1800s mathematician Edwin A. Abbott’s imaginary world of Flatland (with touches of fellow mathematician Lewis Carroll’s Wonderland, of course), Miesch presents reality with a fanciful twist. Her visuals show our world, blurred or tilted a little askew. It’s easy to see portals to another world in every line and angle. What dimensions will you discover? – Cat McCarrey