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Don’t underestimate Seth James. The songwriter steps onstage like an unassuming guitar cowboy but unloads an absolutely grooving mix of Texas honky-tonk, Memphis rockin’ soul, and New Orleans funk. This year’s fourth LP Lessons aptly digs deep cuts from Delbert McClinton’s catalog, homage from the student to the master, but James’ horn-blasted, keyboard-licked romps kick swampy-rocking goodness somewhere between Little Feat and Shinyribs. “River Girl” Kelley Mickwee follows with some of the richest vocals in Central Texas and new songs from Everything Beautiful, her first album in a decade expected later this summer. – Doug Freeman

Chaos in Tejas, Housecore Horror, and Austin Terror Fest live on in local metal lore, so Big Texas Metal Fest now stomps and snorts into the ring. Like last month’s Austin Death Fest at Mohawk, this three-day debut stirs the void of a heavy music capital historically trailing San Antonio in metallic worship yet second to none in extremity sophistication. Hatebreed headlines a metalcore tempest by marking 30 years of thrash/punk/death pits. Friday also marquees Power Trip nucleus Fugitive and excoriating ATX heroes Portrayal of Guilt. On Saturday, Californians Atreyu notch almost as many years and cap like-minded hammers including Austin’s At All Cost and Paleface all the way from Zurich. – Raoul Hernandez

Pop-emo pioneers Taking Back Sunday have been on the road consistently for the past five years, but October marked the first time since 2016 that they are touring behind new music. Eighth studio album 152 showcases a melange of sensibilities honed over the outfit’s quarter-decade, showing a band still finding fresh angles and sounds. But don’t worry, elder emos: The set lists behind this tour are still chock-full of the early-Aughts hits that made them mix CD mainstays. – Abby Johnston