Posted inArts
The Murdered Women of Juárez Find a Voice Onstage
Isaac Gomez’s one-woman show The Way She Spoke
Rudy Ramirez
Posted inArts
The Vortex’s Wild Horses
This staging of Allison Gregory’s new play takes you back to your 13th summer with all its freedom and fear
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Vortex Repertory Company’s Storm Still
Gabrielle Reisman’s script refashions King Lear into the daughters’ story, and the Vortex stages it with admirable heart
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Shrewd Productions’ The Revolutionists
This staging of Lauren Gunderson’s satire proves the pen is mightier than the guillotine
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Out of Ink 2017: Object Lessons
This year’s crop of new 10-minute plays captures the apprehension in the air but with creativity and craft
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The Vortex Repertory Company’s Underground
Driven by Lisa B. Thompson’s powerful text and masterful acting, this new drama drops a truth bomb
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Glass Half Full Theatre’s Don Quixote de La Redo
This imaginative spin on Cervantes tells of walls and the stories that inspire us to tear them down
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Vortex Repertory’s A Perfect Robot
Sarah Saltwick’s timely script elegantly explores the tension between idealized automatons and messy humans
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Examining the Sins and Virtues of Hypermasculine Theatre
When is violence in theatre too much?
Posted inArts
Shrewd Productions’ Hold Me Well
Playwright Eva Suter’s reworking of Othello in a world without men depicts love in many forms with power and beauty