Posted inArts
Different Stages’ Dracula
Despite atmospheric design work and some strong acting, the production never quite realizes the sensuality and lyrical ferocity in Steven Dietz’s script
Craig Kanne
Posted inArts
Arts Review
Theresa Rebeck’s play about stamps has surprsingly high stakes, but they aren’t always realized in Different Stages’ production
Posted inArts
Exhibitionism
Different Stages doesn’t light up the dark corners of this gothic comedy about the Marquis de Sade
Posted inArts
Exhibitionism
This spoof has energy to spare but never feels as spontaneous as it should
Posted inArts
Arts Review
This adaptation of Homer’s epic is faithful to a fault and rough around the edges
Posted inArts
Arts Review
This talky Agatha Christie mystery is long but serves up an amusing little puzzle
Posted inArts
Arts Review
A strong acting ensemble plays this Neil Simon comedy like there’s no tomorrow
Posted inArts
Arts Review
Robert Schenkkan’s ‘The Marriage of Miss Hollywood and King Neptune’ eases us back into that long-ago world of screwball comedy and serves up some new fun
Posted inArts
Arts Review
Even without Hercule Poirot, the Different Stages production of Agatha Christie’s ‘Appointment With Death’ provides a satisfying mystery
Posted inArts
Articulations
Austin helps the Lysistrata Project become the Little Peace Project That Could, the Long Center says “no thanks, after all” to the $25 million in Waller Creek tunnel bond money, and Austin Shakespeare Festival launches a new reading series.
Posted inArts
Close to the Edge
Characters Pushed to the Limit — and Artists Pushing Themselves There — Fill the Long Fringe at FronteraFest
