Gabacho Credit: Image via Bandcamp

National Cheeseburger Day

Thursday 18, Hotel Vegas

Every day is National Cheeseburger Day if you know how to live your life right, but this Thursday is as fine a time as any to try a live-fired wagyu smash burger by Georgetown-based pop-up company Lace Burger, enjoy some free live music by Chicago Latin psych rocker Gabacho, and shop a vintage market curated by Decades in Retro. DJs Hair of the Dog and Da Beatnik provide additional sounds on the Vegas patio, and the bar also promises something called “cheeseburger shots.” We’re not guaranteeing success there, but everything else sounds pretty incredible.   – Carys Anderson

Credit: Photo by Denmarc Creary

English Teacher

Friday 19, 29th Street Ballroom

I’ve been writing R&B for you,” Lily Fontaine sighs. “I’ve been making you a tea before you know it’s what you need.” What sounds like a sweet act of service for a partner is, on 2024 single “R&B,” a self-abandoning habit. “I should be writing for me and my,” she admits – hers being post-punk quartet English Teacher, signaling even greater societal pressures on the Black rock frontperson. The song appears on last year’s Mercury Prize-winning This Could Be Texas, a lush, multi-faceted art-rock document of swarming bass, jagged guitars, and spoken word delivery. Write on.   – Carys Anderson

Kimmie Rhodes Credit: Photo by Jme Lacombe

Texas Women Songwriters Festival

Friday 19 – Sunday 21, Downtown Lockhart

The inaugural Texas Women Songwriters Festival in downtown Lockhart will bring together dozens of pickers, storytellers, and creative powerhouses to celebrate the legacy and future of women in our state’s musical heritage. There are four ticketed headliner events: forces of folk and country Sara Hickman and Kimmie Rhodes (sharing a bill), “Rockabilly Filly” Rosie Flores, country queen Pauline Reese, and Tex-Mex legend Tish Hinojosa. The bulk of the weekend, however, comprises free song swaps boasting a who’s who of folk, country, and bluegrass songwriters from across the state coming together in the old songwriter tradition to share their work. Let’s go, girls.   – Abby Johnston

Credit: Image via Bandcamp

Cherubs

Friday 19, the Lost Well

Trance Syndicate’s heaviest, noisiest, most fuzz-drenched beast is back – Cherubs, once again leveling rooms with distortion so dense it feels like Bambi got hold of a chainsaw and went berserk for 45 minutes. Offstage, they’re still the sweetest guys in Austin; onstage, Kevin Whitley, Brent Prager, and former Pain Teens bassist Pete Shore turn brutality into bliss. They’re joined by BÖNDBREAKR, a politically charged punk-metal wrecking crew bringing righteous rage and sweaty catharsis, plus Throat Piss, who slather Swans-oid sludge, saxophone, and raw trauma into one unholy scream. Chaos guaranteed.   – Tim Stegall

Summer’s Gone Fest

Saturday 20, Sunny’s Backyard

Many of us are still in denial that summer is over. (Or coming to a close? Um, the autumnal equinox isn’t until Sept. 22.) Anyway, it feels functionally over, and that seems cause for mourning or celebration, depending on your seasonal preference. The indoor/outdoor Eastside bar is throwing a vinyl release party of “Good Timin’” for Thanks Light…, and the Loveshakers will go on at 8pm. Vending of vintage clothing will take place along with food pop-ups. Doors at 7pm, and it’s free.   – Sammie Seamon

Cold Waves XIII 2025: Austin Edition

Friday 19, Mohawk

The sheer amount of latex, leather, and lace on the bodies going full “Sprockets” at this orgy of industrial dance will make for one of the sweatiest (slipperiest?) shows since, well, has the A/C ever gone out at Elysium? An evening of what ended up being called electronic body music with Nitzer “Join in the Chant” Ebb, Front Line Assembly doing a Wax Trax!-era set, Mentallo & the Fixer, Lead Into Gold, Clock DVA, Curse Mackey, Llora, SINE, and Ponyboy. I wonder how many of these acts are using the same kit of octagonal electronic drums.   – Joe Gross

Credit: Image via Bandcamp

S.G. Goodman

Saturday 20, Antone’s

S.G. Goodman is the kind of quiet figure to inspire superlatives like Indie Saint of Appalachia and Queen of Rural Queers. Her songwriting incorporates Flannery O’Connor-esque scenes and contemporary issues, perhaps best encapsulated by “Fire Sign,” in which “The sun don’t shine on the same dog’s ass every day” and “Living like a fire sign/ I was born a seeker” find astronomical compatibility. Goodman opens up about love, friendship, and loss on this year’s Planting by the Signs. Live, her endlessly expressive vocals and twilight hour melodies will raise the hairs on the back of your neck.   – Caroline Drew

Zach Person

Saturday 20, Stubb’s

If Jimi Hendrix and Stevie Ray Vaughan ever respawned a pop-influenced child, he’s rolling around Austin. Local Zach Person really hit his stride in 2021, releasing his debut self-titled album and playing his first ACL Fest. He’s been off and running since, demonstrating cool lyricism and jaw-dropping guitar playing in hits like “Muddy Water” and wielding his influences proudly – such as his cover of Hendrix’s “If 6 Was 9.” One of his last stops on his current tour, this Stubb’s date is a chance for Person to show off his live show prowess where it all started for him.   – Flora Belle Farr

Vinyl Brunch Presents Sunset Spin

Saturday 20, Carver Library

Warm up the turntables and celebrate 100 years of the Carver Branch Library with an all-ages vinyl-thon. On the ones and twos will be Megz, DJ Foxy Brown, and DJ Wyldflower; Black Maker’s Market hosts Spin City Market filled with local Black businesses; and swap vinyl with the Queer Vinyl Collective. Close out the night with Verse and Vinyl, hosted by Jasmine Games of every.Word poetry. The lineup is stacked for a night of energy that hopefully leads to another 100 years of this Eastside institution.   – Felicity Guajardo

Grahamstock

Saturday 20, Radio/East

As part of their Grahams Give Back benefit series, local songwriters Graham Weber and Graham Wilkinson deliver a blowout, Grahamstock, to benefit Travis Heights Elementary. Weber’s roots-rocked outfit Restos and Wilkinson’s Pecan Street Preachers provide the foundation for a bill that includes rising songwriters Macy Todd and Taylor Rae, Jane Leo’s Jane Ellen Bryant, offering new solo EP Red or Green, and S.L. Houser, preparing the follow-up to her intoxicating Eighties-inspired Hibiscus. The evening concludes with an all-star tribute to Wilco’s A.M. on the 30th anniversary of the debut LP’s release.   – Doug Freeman

Credit: Image via Paramount Theatre

Raphael Saadiq

Sunday 21, Paramount Theatre

As September falls away like so many leaves, ACL Fest season fast approaches and we’re reminded of Raphael Saadiq’s 2009 Zilker Park sizzle. Hoofing the previous year’s neo-Motown throwdown The Way I See It, the onetime “lead singer of R&B’s tony boy toys [Tony Toni Toné], Oakland’s former Charles Wiggins, reworked the Motor City etiquette manual on the Sound of Young America.” The three-time Grammy winner’s only put out two solo LPs since then, busy collaborating with D’Angelo, Mos Def, Jill Scott – check the writing credit on Beyoncé’s “Texas Hold ’Em” – and now transitioning into heavy soundtrack work. TTT hits “Anniversary” and “If I Had Loot” are reportedly on the table here!   – Raoul Hernandez

Addison Rae

Monday 22, ACL Live at the Moody Theater

I didn’t want to like Addison Rae. We’ve allowed far too many social media posters to crossover into music and film – now the girl teaching TikTok dances to Jimmy Fallon wants to be a pop star? Unfortunately, Addison rocks. Written with women songwriters – and, notably, Max Martin protégés – Elvira Anderfjärd and Luka Kloser, the 24-year-old’s debut album smacks of Blackout and Ray of Light when most contemporary pop projects sound agonizingly akin to a certain man behind the Bleachers. Stacked vocals; hazy synths; irreverent, admittedly half-baked lyrics: Rae’s musical turn is nostalgic, hooky, and cohesive, signaling a more clear-eyed vision from the internet personality than I was willing to admit. Guess I gotta accept the pain…   – Carys Anderson

Jane Leo Credit: Photo by Eryn Brooke

HAAM Day

Tuesday 23, Various Locations

The Health Alliance for Austin Musicians turns 20 this year – which means Austin’s working musicians have been connected to affordable health care for two decades. HAAM Day, an annual fundraiser based on citywide performances, is an essential part of keeping that mission alive. Entirely free, curated showcases populate our city on Tuesday – from Latinpalooza at Radio/East to Parker Woodland and Nakia at the ABGB to Midnight Navy, Elijah Delgado, and SuxxyPuxxy at Hotel Vegas. We’re partial to husband-wife duo Jane Leo, who bring the noir synth-pop of their new album Creature of Destruction to the Chronicle office from 4-6pm.   – Carys Anderson

Credit: Image via Colombia Records

Leon Bridges & Charley Crockett

Tuesday 23, Moody Center

How long in the making is this arena go-round for “The Crooner & the Cowboy” tour? At least a decade according to local soulman Tomar Williams, accosted in 2015 by the latter country buck at the White Horse: “Charley said, ‘You remind me of this cat named Leon Bridges, man. I know him real well. We do the circuit out there in Fort Worth.’” When Crockett tried to put Bridges’ cell number in Williams’ phone, he found it already there. Turns out the Lone Star soul hero equally bum-rushed the storyteller – stageside at ACL Fest. Bonus: Flatlander Jimmie Dale Gilmore and Blaster Dave Alvin open.   – Raoul Hernandez

Mdou Moctar Credit: Photo by Cem Misirlioglu

Levitation Night Show: Mdou Moctar, the Point

Wednesday 24, Radio/East

Mdou Moctar’s richly layered protest music has brought West African psychedelic rock to a new generation of American audiences for over a decade. While on tour in 2023, the band became stranded in the United States after the president of Niger was deposed. They wrote Funeral for Justice in response while waiting to return home. 2025’s Tears of Injustice reimagines those songs acoustically – though stripped of the amplified guitar solos so characteristic of their sound, it remains undeniably them. Ahead of Levitation, the quartet joins local electrified funk trio the Point to kick off the festival’s varied lineup of psychedelic acts.   – Caroline Drew

Credit: Photo by Brantley Gutierrez

Alabama Shakes

Thursday 25, Moody Center

Welcome back to one of the best garage/roots/Americana acts of their era. Lead Shake Brittany Howard has been futzing around with a solo career since 2018, but it’s nice to see her return to bald-faced rock music, and with new material no less. The new single, “Another Life,” picks up where Howard, fellow guitarist Heath Fogg, and bassist Zac Cockrell left off with 2018’s Grammy-winning Sound & Color. The buzz for this tour has become louder by the minute.   – Joe Gross


Music Notes

by Derek Udensi

Freddie Gibbs Credit: Photo by James "JMP" Pereira

King of the Slab 2K25

Saturday 20, Travis County Expo Center

Expect plenty of tricked-out rides and Southern hip-hop at this year’s King of the Slab. Performers at the event include Austin-based artists Babyrosae, CasinoATX, LiljayfromdaO, and NOOK Turner. Gates open at noon.

Motown Mondays

Monday 22, Pershing Hall

Previously held at the Far Out and most recently the Highball, Matchmaker Band brings its longtime event tributing classic Motown hits to Pershing Hall. The first Pershing-hosted Motown Monday took place earlier this week with plans for the residency to run at the venue for the next year, according to a press release.

Freddie Gibbs

Thursday 25, Emo’s

Earlier this year, Gibbs teamed up with prolific producer the Alchemist to release the sequel to their critically acclaimed 2020 collaborative album Alfredo. Only a character like the surgical Gary, Indiana, rapper can attack the tranquil, flute-infused instrumental of Alfredo 2 closer “A Thousand Mountains” with one of the funniest lines I’ve heard in months: “Shit don’t brack without Rabbit, even they fans knew it/ They should let me bet on these niggas floppin’ on FanDuel.” Arrive early for Charlotte lyricist MAVI.


Want to see all of our listings broken down by day? Go to austinchronicle.com/calendar and see what’s happening now or in the coming week.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Caroline is the Music and Culture staff writer and reporter, covering, well, music, books, and visual art for the Chronicle. She came to Austin by way of Portland, Oregon, drawn by the music scene and the warm weather.

Sammie Seamon is a news staff writer at the Chronicle covering education, climate, health, development, and transportation, among other topics. She was born and raised in Austin (and AISD), and loves this city like none other. She holds a master’s in literary reportage from the NYU Journalism Institute and has previously reported bilingually for Spanish-language readers.

Carys Anderson moved from Nowhere, DFW to Austin in 2017 to study journalism at the University of Texas. She began writing for The Austin Chronicle in 2021 and joined its full-time staff in 2023, where she covers music and culture.

As the Chronicle's Club Listings Editor, Derek compiles a weekly list of music events occurring across town. The University of Texas alum also writes about hip-hop as a contributor to the Music section.

San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993.

Tim Stegall contributed to The Austin Chronicle 1991-1995, and was a staff writer 1995-1997. He returned as a contributor in 2013. He has also freelanced for publications ranging from Flipside to Alternative Press to Guitar World. He plays punk rock guitar and sings in the Hormones.