The Prima Donnas

Drugs, Sex & Discotheques (Peek-a-Boo)

The Prima Donnas are to early-Eighties synth-pop what the Rutles were to the Beatles — a stinging yet affectionate parody chock-full of yocks rooted in the muted British rock humor of the Bonzo Dog Band. The supposedly Sussex-bred trio initially made a name for themselves in mid-Nineties Austin before “immigration problems” forced them to move to Olympia, Washington. This 15-song disc pretends synth-pop evolved no further than Depeche Mode’s Speak and Spell, then slathers the stagnated genre with laughably lurid descriptions of deviance behind the velvet ropes. Witness “Stoned, Like a White Balloon,” in which the boys blithely drift from dinner with Coco Chanel to a holiday in the Poconos in a pill-addled haze. If that’s not decadent enough for you, strap on the bonus track “Four O’Clock in the Morning” and its Liquid Sky-leaning sentiment: “I’d like to take you to my apartment, lay you down in cold bath water, and fuck you like a dead body.” “(Dancin’ in the) Freaky Zone” utilizes misplaced sports entendres (“One-on-one, five-on-one — bring it on, we’ll have some fun”) to create a mindless Eighties-style dance hit made all the more absurd by Otto Matik’s obnoxiously affected, whine-laden brogue. Though the Prima Donna’s level of activity has been curtailed by geographic separation, the foo-foo hairdo-encrusted era lampooned by Drugs, Sex & Discotheques is unlikely to move away from the crosshairs of relevant ridicule anytime soon.

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Greg Beets was born in Lubbock on the day Richard Nixon was elected president. He has covered music for the Chronicle since 1992, writing about everyone from Roky Erickson to Yanni. Beets has also written for Billboard,Uncut, Blurt, Elmore, and Pop Culture Press. Before his digestive tract cried uncle, he co-published Hey! Hey! Buffet!, an award-winning fanzine about all-you-can-eat buffets.