Guiding Light Credit: Image via Instagram


Guiding Light Credit: Image via Instagram

Guiding Light, Heartknit, Commercial Breaks

Thursday 10, Hotel Vegas

There’s an implicit pressure in choosing a band name that pays homage to Television’s pivotal debut Marquee Moon, but Guiding Light rises to the challenge, churning with a jangly anarchism that Tom Verlaine himself would sign off on. Last year’s self-titled drop introduced the band as a bona fide force in local post-punk, driven by the unrelenting vigor of vocalist Elise Cook. Catch the art punk quartet at their Hotel Vegas home base before they embark on their first non-Texas tour dates; support from Heartknit and brand-new act Commercial Breaks ensures additional alt-rock electricity.   – Genevieve Wood


BRUCE Presents must love teeth: a Concert Film Experience

Friday 11, Central Presbyterian Church

Carrie Fussell’s alt-pop solo project BRUCE is a master class in irreverent high drama. Hissing lead single “Cherry” previewed her debut LP must love teeth with a seductive bite, then follow-up tracks “Perfect Stranger” and “Water Pitcher” made a hard turn for cinematic piano and strings. (Don’t get me started on a cover of Sugar Ray’s “Someday,” which her truly incredible vocals somehow transform into an Angel Olsen-esque ballad.) Set to be documented in full by unnamed “award-winning filmmakers,” the Eventbrite page for this album release show really says it all: “pay no heed to cameras, but please come dressed in your sunday best as tho the lord is watching you. (but like, the lord is john waters.)”   – Carys Anderson


Credit: Courtesy of Lola

LOLA Austin’s We Might Be Struck by Lightning

Friday 11 – Saturday 19, Ground Floor Theatre

Hear me out: What if there was an opera version of a jukebox musical? Think Rock of Ages, but instead of Bon Jovi and Def Leppard it’s full of Franz Schubert and Amy Beach. Local Opera Local Artists, aka LOLA Austin, created that exact classical marvel set against a daringly modern story. Songs from composers both well known (Claude Debussy) and those who deserve more recognition (Alma Mahler) weave together the tale of two women struggling with the depressive vicissitudes of life. Placing the grandeur of chamber opera with the intimacy of modern dance makes this a recital to remember.   – Cat McCarrey


Abe Partridge and Jack Barksdale

Friday 11, 04 Center

Abe Partridge and Jack Barksdale are not the most obvious pairing, yet together they create a mesmerizing musical brew. As an outsider folk artist from Alabama, Partridge crafts provocatively unique music and paintings, rough-edged songs that can blur the absurd and beautiful in wild howling tales and tender questioning ballads. Barksdale, on the other hand, is a North Texas teenager that has been stunning audiences since he was a kid with the depth of his songwriting, soft angelic voice, and sharp guitar picking. Together, Partridge and Barksdale blend contrasts into a haunting but gorgeous new album they’re releasing only at shows.   – Doug Freeman


Marley Hale Credit: Photo by Silver Strawberry

Marley Hale, Sofia Mock, Will Clark

Friday 11, Hole in the Wall

Marley Hale’s timeless lilt pairs with nimble guitar melodies and supple strings like a vintage summer dress pairs with worn-in cowboy boots. Her classic country narratives take on a sorrowfully seductive air in live performance. An Austin native, Hale has been bringing Texas’ forlorn outlaw spirit to Brooklyn’s city streets for the past few years and returns to the trustworthy Hole in the Wall for a homecoming show. In an ode to friendships forged at Cactus Cafe open mic, Hale is joined by Sofia Mock’s surf-smooth storytelling, Will Clark’s tape-deck lullabies, barnstormers from Dan Perez, and a solo Other Vessels showing.   – Caroline Drew


Credit: Photo by John Anderson

Austin Bat Refuge Benefit Show

Saturday 12, Carousel Lounge

Rats with wings or cute dancing critters – however you see them, bats are certainly here to stay in Austin, or should I say, “Bat City.” Austin Bat Refuge helps mediate human-bat relationships, and this benefit shows will help them keep doing it. Reggae-infused indie rockers FingerJane, dreamy indie outfit Sasparilla, and heavy metal group Dr. Sleep go to bat for the bats at Carousel Lounge for a night of music and winged support at this all-ages, BYOB benefit.   – Caroline Drew


Credit: Image via Tommy Howard

Tommy Howard San Antonio Quintet

Sunday 13, Monks Jazz

A native of San Antonio, jazz guitarist extraordinaire Tommy Howard often takes a break from his duties slinging the axe with Church on Monday and other notables to gather fellow Alamo City expatriates in the Austin jazz scene for performances as the San Antonio Quintet. Saxophonist Gene Centeno, pianist Andy Langham, bassist Brandon Rivas, and drummer Brandon Guerra join Howard for a program of jazz classics and deep cuts, plus songs from his still-underrated solo album Storybook.   – Michael Toland


Austin Cabaret Theatre FUNdraising Gala

Monday 14, Parker Jazz Club

Austin’s hottest club is Parker Jazz. On Monday, this place has everything: an anniversary, a birthday, Clint Holmes… Celebrate the 25th anniversary of Austin’s premier cabaret, and the 60th anniversary of founder/producer Stuart Moulton, with jazz vocalist (and The Late Show Starring Joan Rivers announcer) Holmes, taking a break from his decades-long tenure as a Vegas fixture to perform locally with Parker’s house band. This is a real-deal gala, so tiered tickets range from $99-$199, but it’s worth it to support the theatre, darling.   – Carys Anderson


Credit: Photo by Nicola Gell

BettySoo

Monday 14, Waterloo Records

It’s been over a decade since BettySoo released her last solo LP, 2014’s wrenchingly beautiful When We’re Gone, but it’s not like the songwriter hasn’t been busy. Aside from her exceptional supergroup team-up with Rebecca Loebe and Grace Pettis in Nobody’s Girl, she’s become the right hand of James McMurtry. The local songwriter’s upcoming fifth album, If You Never Go Away, mixes her remarkable vocal range across an array of pop and roots songs that blister defiantly bright against dark times. BettySoo drops in-store at Waterloo ahead of her official release show at Sagebrush on the 19th with McMurtry and Restos.   – Doug Freeman


Buñuel

Tuesday 15, Come & Take It Live

“My last visit [to Austin]?” emails Eugene Robinson. “Had to be the book tour where I pulled a gun on a guy who threatened to shoot me at the merch table!” Buñuel’s legendary frontman put out 2023 memoir A Walk Across Dirty Water and Straight Into Murderer’s Row, so look for more such tales at Alienated Majesty Books’ Tuesday event, 4-5:30pm, titled “The Grand Escapades and Misadventures of a Hardcore Legend.” His noise advocates here, meanwhile, dropped fourth lashing Mansuetude last October, and play that evening with Steve Austin’s 1990s fiends Today Is the Day and Spiritual Poison.   – Raoul Hernandez


Credit: Image via ACL Live

The Psychedelic Furs

Tuesday 15, ACL Live at the Moody Theater

Formed during punk’s 1977 dawn, London’s ironically named Psychedelic Furs strained Bowiesque glam and Velvet Underground grit through a near-hallucinogenic take on the Sex Pistols’ crash-and-burn, still letting Byrdsian jangle shine through. Their self-titled 1980 debut LP was loaded: guitars like shrapnel, saxophone like a haunted cabaret, and Richard Butler snotting out negative poetry through a tubercular Johnny Rotten rasp. Thanks to the inclusion of the original version of “Pretty in Pink,” 1981’s Talk Talk Talk broke them through in America. Original Furs Butler and bassist brother Tim remain in the lineup storming ACL Live next Tuesday. Eighties proto-dreampoppers the Chameleons open.   – Tim Stegall


Credit: Image via Juice Consulting

Estani

Tuesday 15, Waterloo Records

Tú De Mí Te Acordarás, Estani’s upcoming release, is a departure from the neo-soul/Latin jazz fusion of her solo songwriting. Here, the artist wholeheartedly embraces traditional Conjunto forms with backing from Grammy-award winning composer Max Baca and Los Texmaniacs. What began as a simple project to pay homage to her grandmother, Rosita Lopez, and her Conjunto career from the Sixties and Seventies, evolved into a full-length album re-creating the compositions Lopez sang – and a documentary on the genre to come. Estani shares a sneak peek into the project with an intimate performance at Waterloo.   – Caroline Drew


Credit: Photo by Dave Barron

of Montreal

Wednesday 16, Radio/East

Although many have tried in the past 30 years, few have come close to re-creating the magic honed by Elephant 6’s Kevin Barnes, who has led of Montreal since the late Nineties. Hailing originally from Athens, Georgia, within a scene that calling idyllic would be a severe understatement, Barnes has carried the four-track across the band’s manifold genres: from redefining psychedelic power pop for the first real time since the Beatles, to messing with electronic synths and an adjacent, extremely chaotic onstage performance element. At this point, it doesn’t matter if you’re a funk or art rock truther; of Montreal has an album for you. Austin-based Pelvis Wrestley and CorMae join the band this Wednesday.   – Levi Langley


Credit: Photo by Athen Smith

Being Dead

Thursday 17, Hotel Vegas

For one night only! Experimental rock darlings Being Dead are on the move, with U.S., UK, and European dates throughout the summer in support of their 2024 breakthrough EELS, so 101X Homegrown Live’s Summer Smackdown series might be the last time you see the locals before Levitation in September. Catch the rare hometown treat at Vegas, where Water Damage and haha Laughing kick off the night with “hair raisin’ havoc.”   – Abby Johnston



Music Notes

by Derek Udensi
KUČKA Credit: Image via KUCKA

Club Madnes

Friday 11, Cheer Up Charlies

This two-stage event aims to donate school supplies to kids in Honduras, with $2 out of every $12 suggested donation benefiting ChildHelp. Those who arrive with a supplies-filled backpack get half-off their ticket. Australian artist KUČKA headlines, with support from WHOKILLEDXIX, Houston rapper BBY Kodie – who dropped his return single “KONDO” last week – and more.

BodyRock ATX

Friday 11, Sahara Lounge

This edition of DJ Chorizo Funk and Riders Against the Storm’s monthly dance party tributes musicians with two of the most celebrated album runs ever: Atlanta hip-hop duo Outkast (ATLiens through Stankonia) and Stevie Wonder (Music of My Mind through Songs in the Key of Life).

True Texas Tunes

Wednesday 16, H-E-B Lake Austin

You can enjoy free music every Wednesday afternoon this summer at the first-ever two-story H-E-B as part of True Texas Tunes. The concert series, which is held inside True Texas BBQ, benefits the HOME (Housing Opportunities for Musicians and Entertainers) nonprofit. The next show will feature pop/R&B group Midnight Snack, who will also play at the July 19 edition of the series held monthly at the South Congress H-E-B.


Want to see all of our listings broken down by day? Go to austinchronicle.com/calendar and see what’s happening now or in the coming week.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Carys Anderson moved from Nowhere, DFW to Austin in 2017 to study journalism at the University of Texas. She began writing for The Austin Chronicle in 2021 and joined its full-time staff in 2023, where she covers music and culture.

As the Chronicle's Club Listings Editor, Derek compiles a weekly list of music events occurring across town. The University of Texas alum also writes about hip-hop as a contributor to the Music section.

Caroline is the Music and Culture staff writer and reporter, covering, well, music, books, and visual art for the Chronicle. She came to Austin by way of Portland, Oregon, drawn by the music scene and the warm weather.

Tim Stegall contributed to The Austin Chronicle 1991-1995, and was a staff writer 1995-1997. He returned as a contributor in 2013. He has also freelanced for publications ranging from Flipside to Alternative Press to Guitar World. He plays punk rock guitar and sings in the Hormones.

San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993.