Posted inLive Shots
Bruce Springsteen Transforms Our Civic Hell Into the Land of Hope and Dreams
The Boss rages against the machine with tears and Tom Morello
Music
Posted inMusic
Following a Whirlwind of Love and Success, Chaparelle Faces the Next Chapter
Newlyweds Jesse Woods and Zella Day, alongside producer Beau Bedford, prep LP No. 2 ahead of Austin Blues Festival
Posted inCrosstalk
An Empire Divided, An Uncertain Future for Chili’s, And Other Cultural Happenings
Austin receives top marks for coffee, ACME accepts art applications, and the Suerte/Este team expands
Posted inMusic
Snail Mail’s Life Lessons
Songwriter Lindsey Jordan talks industry education and prioritizing longevity ahead of Sunday Stubb’s show
Posted inRecord Reviews
Charley Crockett Concludes His Sagebrush Trilogy in Cinematic Style
On his third album in a year, the outlaw country revivalist sits you down and tells the story of Billy McLane
Posted inRecord Reviews
American Sharks Are Not Dead Yet
Anthemic catharsis fuels local punks’ third, and best, LP
Posted inRecord Reviews
Artistry Bleeds Immortal for Blood Sucking Maniacs
Terry and Jo Harvey Allen lead a multigenerational family band through an irreverent 22-track odyssey
Posted inMusic
Empire Control Room Owner Locked Out of Part of Venue by Landlord for “Nonpayment of Rent”
Shows resume this week in the adjoining Garage, Stephen Sternschein says
Posted inMusic
Dirty Projectors Return to Austin for Special Symphonic Collaboration
Offbeat fourpiece joins the Austin Symphony Orchestra on Thursday for headlining Fusebox Festival set