All but a rock opera, Must Love Teeth weaves a psychedelic plot of seduction, disillusionment, and rebirth in a 49-minute whirlpool of cathartic release. Former Calliope Musicals frontwoman Carrie Fussell styles herself in BRUCE as an Eighties-colored psychopomp that’s part raven, part roller rink superstar. The album, Fussell’s first project since Calliope Musicals’ 2022 disbanding, opens with four strut-worthy songs set in a world where wandering minstrels play 808 machines. “Water Pitcher” is interwoven with electronically canned banjo riffs; “Hot Shot’s Tab” builds and crashes over marching band trills; “Perfect Stranger” swells with Fifties Broadway strings; and “Cherry” thunders over a western thriller bassline, all while absurdist lyrics soar on operatically harmonic wings. “Angels in the Outfield” and “Deth (Crows)” make further use of Fussell’s expressive vocal range, employing a flirtatious lilt reminiscent of Angel Olsen and Lana Del Rey paired with breathy runs that’d be at home in a production of Oklahoma! The back half of the LP lived a past life in Fussell’s solo discography, including quick-cadenced pop track “You’re Only a God; You’re Only a Man” and cinematic cincher “Kitty of the Year.” BRUCE celebrated its release with a filmed live performance every bit as theatrical as the music demands – complete with burlesque and ballet – suggesting a glamorous life ahead for this character-rich album.

BRUCE

Must Love Teeth (self-released)


BRUCE performs at Chess Club on July 24.

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Caroline is the Music and Culture staff writer and reporter, covering, well, music, books, and visual art for the Chronicle. She came to Austin by way of Portland, Oregon, drawn by the music scene and the warm weather.