Les Savy Fav, Emo's, October 27

Live Shots

Les Savy Fav

Emo's, October 27

"It's gonna be a great night!" he said, over and over, from behind a bushy red beard and gold-toned, Seventies-era aviator shades. Dressed as a sensitive and sensible New Ager, Tim Harrington, lead singer of the Brooklyn quintet Les Savy Fav, misled the close-packed Emo's crowd into thinking they were in for a touchy-feely healing session. "It's gonna be a great night!" he screamed from behind a scary, plastered smile as the song built in volume and intensity behind him, and the other four members of the group played hard and tight, ignoring the antics of their gregarious leader as they always do. The lead-in turned to "Reformat," a raucous and plodding tune off the band's new The Cat and the Cobra, from which most of the set was culled. Because of the post-1am start time, they skipped playing their own self-immolating anthem, and despite the fact that Emo's small indoor stage offered insufficient space for Harrington's normal imbecilic acrobatics, the quintet still delivered a show charged with enough infectious energy and powerful hooks to keep folks hooting and head-bobbing until well after 2am. In fact, Les Savy Fav turned the blank and sleepy slate of the Emo's audience into a thoroughly enchanted roomful of fans. Hair unslicked, shades and overshirt discarded, Harrington ran and flailed around the stage and room like a sugar-filled kid with attention deficit disorder, climbing on the speaker cabinets, turning pooltable lamps into spotlights, and belting out lyrics with the force and joy of someone who's found his true calling. His melodic shout pitted against the formidable rhythm section and tight, searing guitars combined for a sound and odd-timed style as unique and memorable as anyone still standing in indie rock, and "Dishonest Don Part II" and "Who Rocks the Party?" showed that the band's second LP is well worth the considerable wait. If only they had started sooner and played longer ...

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Music Reviews
Review: Holy Wave, <i>Five of Cups</i>
Review: Holy Wave, Five of Cups
Five of Cups (Record Review)

Raoul Hernandez, Sept. 1, 2023

Review: The Bright Light Social Hour, <i>Emergency Leisure</i>
Review: The Bright Light Social Hour, Emergency Leisure
Emergency Leisure (Record Review)

Raoul Hernandez, Aug. 4, 2023

More by Christopher Hess
Phases & Stages
Rob Halverson
Second Whirled (Record Review)

Feb. 4, 2005

Phases and Stages
Stratford 4
Love and Distortion (Record Review)

March 14, 2003

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle