The Interview

The Interview

2014, R, 112 min. Directed by Evan Goldberg, Seth Rogen. Starring James Franco, Seth Rogen, Lizzy Caplan, Randall Park, Diana Bang, Timothy Simons, James Yi.

REVIEWED By Marjorie Baumgarten, Fri., Jan. 2, 2015

Every once in a while, a movie is more than a movie, but it’s surprising when that becomes the case with a punk-ass comedy, one that’s more puerile than pointed yet not without some good laughs.

The Interview, a bromance starring Seth Rogen and James Franco, is one for the history books; film historians and culture commentators will be poring over this film and its attendant fallout for quite some time to come. They’ll talk about the international incident it sparked; a corporation brought low by malicious hacking; a United States president stepping into the business affairs of Hollywood; the meek voices of Hollywood trade associations like NATO and the MPAA; the unprecedented release of a major studio film through a day-and-date release pattern, placing it in theatres and online simultaneously; the endless parade of posturing and blame-shifting by numerous players; the hue and cry of Americans of all stripes angry about being told what they can and can’t watch; and the Art House Convergence, the national association of independent movie theatres that petitioned Sony to show the movie despite the studio's previous declaration of a complete cancellation of the release. The angles on this story, which morph and newly erupt daily, are, at present, seemingly endless. Yet, The Interview is still just a movie, and to review it as such is my only objective here.

A better-than-average bromantic comedy, The Interview is, not intrinsically, a satirical empire-toppler. Broadly funny and well-acted, the film lands some well-placed jabs – more often at the expense of American values than North Korean politics. There are also, as is part of the formula in these bromances, a great many jokes that are casually racist, sexist, and homophobic (to name a few interest groups besides Kim Jong-un who might take offense at certain wisecracks others consider funny). Still, the jokes rain down in enough abundance that they hit willy-nilly, like shrapnel.

The strongest part of the film is its opening third, prior to the arrival in Pyongyang of Dave Skylark (Franco), the fatuous host of the U.S. talk show Skylark Tonight, and his longtime producer Aaron Rapaport (Rogen), who regrets not living up to his journalism-school potential. In addition to the singular coup of being granted an interview with the reclusive Kim Jong-un, the pair are also on assignment from the CIA to assassinate North Korea’s Dear Leader. Once on the north side of the 38th parallel, The Interview bogs down as Dave bonds with Kim (Randall Park, who brilliantly humanizes the despot), and the guys get into some clumsy kerfuffles with the poison they’re carrying. After this drooping middle section, the film makes a tonal shift and becomes an all-out, guns-ablazing action picture. It’s bloody and violent (and – spoiler alert – Kim’s head explodes, as you’ve most probably already learned from the testy, purloined email exchange between the filmmakers and the studio regarding specific details). To put it in context, the head explosion comes after much gunplay, fingers getting bitten off, and the launching of a Russian tank. Instead of comedy, the film lurches more into Michael Bay territory, and this is what causes the film to lose its mooring and create an uneasy feeling among viewers.

It’s incalculable how many people are now watching The Interview because they see it as a way to stand up for freedom of speech – and there’s a lot to be said for that. I might suggest that another way to stand up for this freedom would be to send an end-of-the-year contribution to the ACLU or some other organization that strives daily to protect First Amendment rights. The Interview, symbol though it’s become, ain’t nothing but a movie.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Evan Goldberg Films
This Is the End
Be mindful when partying at James Franco's house: You could get stuck there for the apocalypse with Seth Rogen and Co.

Marjorie Baumgarten, June 14, 2013

More by Marjorie Baumgarten
Last One Down the Mountain: Belated Thoughts on the Sundance Film Festival
Last One Down the Mountain: Belated Thoughts on the Sundance Film Festival
Even virtually, the 2024 fest felt revitalized

Feb. 21, 2024

Joy Ride
Raunchy road trip goes all the way to China for filthy fun

July 7, 2023


The Interview, Evan Goldberg, Seth Rogen, James Franco, Seth Rogen, Lizzy Caplan, Randall Park, Diana Bang, Timothy Simons, James Yi

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle