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Ryan O’Neal has never been better cast than as the shallow and opportunistic hero of Thackeray’s early 19th-century novel. Kubrick’s detailed precision brings this morality play to life and his three-hour, visually packed tableaux won four Oscars (including cinematography, art direction, and costume design).
This article appears in July 28 • 2000.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten