Tales From the Hood

Tales From the Hood

1995 Directed by Rusty Cundieff. Starring Corben Bernsen, Rosalind Cash, Rusty Cundieff, David Alan Grier, Anthony Griffith, Wings Hauser, Clarence Williams III.

REVIEWED By Marc Savlov, Fri., June 2, 1995

A deft, well-directed horror anthology film from the makers of last year's hilarious Fear of a Black Hat. Cundieff weaves together a quartet of eerie urban shockers that brings to mind everything from Amicus Film's early-Seventies shockers, Tales From the Crypt and The Vault of Horror, as well as Hammer's superlative Dr. Terror's House of Horrors and the more recent Creepshow and Tales From the Darkside films (there's even a tip of the skull to several Twilight Zone episodes, not to mention Christopher Young's decidedly Zone-esque scoring). The framing device -- three young hoodlums meet up with the bizarre owner of an all-black funeral parlor in an effort to retrieve a cache of lost drugs -- is as strong as can be expected from this sort of thing; almost as a rule, it's the opening and closing bracketing systems that are the weakest links in the anthology chain. Williams III (best known as Linc from television's The Mod Squad), as the certifably deranged mortician-in-residence, gives a deliciously hilarious, absurdly over-the-top performance that adds a much-needed dose of creepy humor. The four interwoven stories here are, I'm glad to say, well above much of the tame drivel most similar films have put out recently. The first, and the weakest, concerns a group of rogue cops who murder a black activist and then are subjected to a Horrifying Vengeance From Beyond the Grave. “Boys Do Get Bruised,” the follow-up tale, posits a battered young schoolboy and the sympathetic teacher who intervenes to save him from “the monster.” Not half bad, really, but it's the two final stories -- “KKK Comeuppance” and “Hard Core Convert” that are the bloody icing on this particular cake (devil's food, one suspects). LA Law's Bernsen stars in the first as Duke Metger, a racist southern politician who incurs the wrath of a cadre of haunted dolls possessed by the wandering spirits of the slaves who died at the plantation house where he now resides. Excellent stop-motion animation by the Chiodo Brothers gives this a truly sinister frission. “Hard Core Convert” takes a page from A Clockwork Orange in telling of the bizarre “reprogramming” awaiting a hardened gangbanger in “Dr. Cushing's” medical laboratory. Nicely executed (no pun intended) from start to finish, Cundieff proves that Black Hat was no fluke with what may be the best African-American horror film since William Crain's Blacula.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Rusty Cundieff Films
Movie 43
This raunchy collection of short films drew A-list talent behind and in front of the camera.

Kimberley Jones, Feb. 1, 2013

More by Marc Savlov
Remembering James “Prince” Hughes, Atomic City Owner and Austin Punk Luminary
Remembering James “Prince” Hughes, Atomic City Owner and Austin Punk Luminary
The Prince is dead, long live the Prince

Aug. 7, 2022

Green Ghost and the Masters of the Stone
Texas-made luchadores-meets-wire fu playful adventure

April 29, 2022


Tales From the Hood, Rusty Cundieff, Corben Bernsen, Rosalind Cash, Rusty Cundieff, David Alan Grier, Anthony Griffith, Wings Hauser, Clarence Williams III

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle