Cher’s Eighties-Nineties film catalog is unmatched, with Moonstruck, The Witches of Eastwick, and, of course, Mermaids. Her brilliance as a free-spirited young mom is grounded by Winona Ryder as her plucky daughter, a Catholicism-obsessed little freak who’s fed up with her mother’s manic pixie philandering ways that land them in a new tiny East Coast town every time she breaks up with someone. Christina Ricci makes her film debut as the youngest daughter, a foil to Ryder’s coming-of-age misadventures who clashes with her family. It’s as heartwarming and zany as other cozy classics of the era like Practical Magic, but comparatively and criminally underseen. With its neurotically sex-obsessed camp, and of course, Cher, it’s ripe for some queer theorizing. [Editor’s Note: This screening’s a Queer Film Theory 101 presentation – but not THAT one. The other one.] – Lina Fisher
May 18-19, 21