Tierra Whack makes rapping look effortless. She probably practiced saying supercalifragilisticexpialidocious as a child based on her ability to fit messages into tight spaces.
Philadelphia’s rap queen, 24, returned to Austin after buzzing performances in March at SXSW, including a noted appearance at Cheer Up Charlies. Whack had been scheduled to take over the T-Mobile stage for 45-minutes mid-afternoon Saturday, but a late start limited her set to just over half an hour.
It’s hard to compare Tierra Whack to anyone. In terms of ability to flow and aesthetic, Missy Elliott comes to mind. Hype continues to build for the MC whose 2018 debut Whack World made waves as a 15-song, 15-minute visual album.
Fellow Philly royalty Meek Mill heralded Whack as “the best female rapper in the world” in July and teenage sensation Billie Eilish hailed her as a “god” during a conversation with NPR at ACL Fest’s new podcast stage Bonus Tracks. Though the Grammy-nominated rapper failed to live up to her lofty billing, she put up an earnest fight in sweltering conditions. In the spirit of Whack World’s nightmarish, cinematic visuals, various colored depictions of Tierra Whack’s rotating head served as a stage backdrop.
The Interscope Records signee seemed to not quite reach her highest gears during cuts from 2019’s “Whack History Month” singles series. A brief entry into the crowd during opener “Only Child” led to her joking about a hurt knee, yet she soldiered on during a scorching Texas afternoon. She regained her footing (and crowd) during the more melodic cuts from Whack World.
“Not your average girl,” the crowd sang in unison during a beat cut.
Whack capped off the first weekend of her Austin return with hand delivery of the Nikes off her feet to a young man celebrating his birthday.
Set-list
“Only Child” “Clones” “Gloria” “Wasteland” “Black Nails” “Bugs Life” “Flea Market” “Cable Guy” “4 Wings” “Hookers” “Pet Cemetery” “Fuck Off” “Pretty Ugly” “Hungry Hippo” “Unemployed”Tierra Whack
Saturday, Oct. 5, 3:15pm, T-Mobile stageThis article appears in October 4 • 2019.