Posted inArts
Austin Playhouse’s Monroe
In Lisa B. Thompson’s tender drama, young African-Americans work out where they belong in the world
Robert Faires
Posted inArts
Miró Quartet at Bates Recital Hall
The ensemble’s opening concert for its 15th season as UT’s Faculty-Quartet-in-Residence was uplifting in a number of ways
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Fast Forward Austin Does Compute
New-music champions science the shit out of its upcoming concert with The Difference Engine
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Capital T Theatre’s The Goat, or Who Is Sylvia?
This production of Edward Albee’s playshows that hubris and catastrophe are as much a part of America now as in ancient Greece
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Jason Phelps & Co.’s Landfallen – the lost and found
This new work of dance-theatre takes us on journeys through wild wastes and personal histories, but leaves us in a place of hope
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Texas Book Festival 2018: The Full List
Lineup includes Cecile Richards, Julián Castro, + 280 more
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Out of Bounds Comedy Festival 2018: Picks
In the bounty of improv, sketch, & stand-up, some of our picks
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Review: dat Black Mermaid Man Lady
Let Sharon Bridgforth’s performance installation wash over you
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Austin Scottish Rite Theater’s Wit
In this production, people are there for one another and no one has to face the end alone
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Ground Floor Theatre’s There and Back
This new play by Raul Garza lets us spend a lifetime with an immigrant and all the decisions she makes
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ZM3 Live Productions’ Echo of a Refugee … Me?
Zell Miller III’s latest was a state of the city address that called out Austin for gentrification and policies harmful to its black citizens
Posted inArts
Austin Classical Guitar’s dream
The quality of the music in this concert was exceptional, but what made it special was the quality of the listening