Posted inArts
Arts Review
‘House’ and ‘Garden,’ Alan Ayckbourn’s coupled comedies performed in tandem by a single cast, is really one show divided between two stages
Patti Hadad
Posted inArts
Arts Review
Improv, Butoh, cabaret, and one of those commanding performance moments that make FronteraFest made up the Short Fringe 2006 Best of Week One
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Arts Review
With his solo show ‘A Christmas Carol Roasting on an Open Fire,’ Rob Nash has lit a fire under Dickens’ perennial fable like Austin’s problem child with a grill
Posted inArts
Arts Review
The State Theater Company brings its artistry to bear on that most conventional show of the season, ‘A Christmas Carol,’ and delivers a perfectly packaged production
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Arts Review
Ballet Austin’s 43rd production is what you might call a big-ticket ballet, a sensational show that’s all about dreams coming true
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Larkin’s Journey
New York choreographer Regina Larkin keeps coming back to Ballet East
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Fidencio Durán: Painting the Known World
This fall, Fidencio Durán’s 20 years of painting have earned him a midcareer retrospective at Mexic-Arte Museum
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Arts Review
In Austin Playhouse’s ‘A Man for All Seasons,’ David Stahl’s immaculate Sir Thomas More stands his moral ground with humility, humor, and insight
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Arts Review
Portraying the radical bastards of Eric Bogosian’s one-man show ‘Sex, Drugs, Rock & Roll,’ Ken Webster is a babbling bear on crystal meth
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Arts Review
Yellow Tape Construction Company’s self-styled indie folk musical ‘Come Home’ plays out like a quaint indie film with Midwestern melancholia and harmony
Posted inArts
Arts Review
Renaissance Austin Theatre Company’s staging of ‘Phaedra’s Love’ is not for the prudish eye, what with its incest, murder, rape, and graphic scenes that require splash guards