Posted inArts
Austin Lyric Opera: ‘Carmen’ glee-a
ALO makes its long-awaited move into the Long Center with opera’s favorite libertine
Michael Kellerman
Posted inArts
Arts Review
Maestro Peter Bay zeroed in on early 20th century France, and the results were magnificent
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Arts Review
Though it took some time to get there, the ensemble Viola by Choice proved how essential the viola is in chamber music
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Arts Review
A program designed for Conspirare to flex its muscles and show off its versatility, which it did with great success
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Arts Review
This showcase of a variety of Christmas traditions in Celtic history made for a most festive night
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Arts Review
The Texas Choral Consort’s holiday concert was a tale of two choirs: one inspired, the other flat
Posted inArts
Austin Chamber Music Center: Is that a bow in your pocket, or … ?
For ACMC’s next concert, Hot Enough for Ya, the aim is clear: Let’s talk about sex
Posted inArts
Jessica Mathaes: A concertmaster flies solo
ASO’s top violinist readies for her first solo concerto performance with the orchestra
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Arts Review
Twenty-first century tech doesn’t serve Mozart’s 18th century opera, but the human artists make magic
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Arts Reviews
Lingo‘s mosaic of dance and music was accessible, unpretentious, and full of life – much like its creators
Posted inArts
Arts Review
The Austin Chamber Music Festival’s Principally Precocious was a concert with glorious personality: thoroughly welcoming, energetic, and mischievous