Marrit Ingman

This Chinese film presents an uncharacteristically romantic look at the Cultural Revolution.

Love and sensation: It’s all the same thing to a young gay Swiss man who leads a dangerous life.

This documentary follows a group of spiritual voyagers through a series of pilgrimages and trips to Indian ashrams and holy festivals in order to create a portrait of the yogi life.

The fourth Potter emphasizes the emotional over the gothic

Disney’s first all-CGI, made-in-house, animated feature is painful for all ages, despite a voice-talent roster to make the angels weep.

This intercultural Houston-made film is an off-the-beaten-path ensemble drama that shows a healthy disregard for Hollywood rules.

You could call it Seabiscuit Jr., but this horsey heartwarmer does something surprising in spite of its underdog sports-movie formula and shameless emotional manipulation: It manages to be an enjoyable movie about and for girls.

This adaptation of Haruki Murakami’s eponymous short story is a delicate little curio, lighter than air and gravely philosophical at once.

There’s a crisp little thriller anchored in this movie about pretty people wearing skimpy swimwear in a beautiful locale.

This French romantic comedy is little more than a heap of clichés whenever the director and star Yvan Attal’s real-life wife, Charlotte Gainsbourg, disappears from the screen.

Shot in jittery black-and-white 16mm, this French film’s on-the-fly aesthetic captures the shiftlessness of bourgeois youth and some of the spirit of the French New Wave.