Posted inArts
Arts Review
The first week brought packed houses, captivating shows, and the promise that the rest of the fest will be just as magical
Avimaan Syam
Posted inArts
Arts Review
Vortex’s revival confronts issues of the body – as object, as weapon, and as prison – head on
Posted inArts
Arts Review
Part Southern rock opera and part ‘Hamlet,’ Refraction Arts’ comedy is totally captivating and hilarious
Posted inArts
Arts Review
Thom Pain (based on nothing) leads us down a strange road, but Ken Webster’s sublime acting makes the trip worth taking
Posted inArts
Arts Review
Adultery may be a serious matter, but the Austin Playhouse gang succeeds in playing it for farcical fun
Posted inArts
Arts Review
Though at times long-winded, Jean Anouilh’s farce still has enough charm and humor to entertain
Posted inArts
Arts Review
An entrancing swim through issues of communication, discrimination, and history (with a couple of eerie ghosts along for the ride)
Posted inArts
Arts Reviews
Monika Bustamante’s updated Greek myth comes in a top-notch production that rages about like a rough sea
Posted inArts
Arts Review
Breakin’ String Theatre’s take on Chekhov goes down like a shot of fine vodka
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Arts Review
Strange choices and weak acting cripple City Theatre’s take on Arthur Miller’s magnum opus
Posted inArts
Arts Review
Austin Playhouse revival reminds us that the war between creationists and Darwinists still isn’t finished
Posted inArts
Arts Review
Pointedly political, yes, but Charles Mee’s update of Brecht is also wildly entertaining