In 1973, director Sidney Lumet tapped Al Pacino to play an NYPD detective in
Serpico. Two years later he cast Pacino on the other end of the law in
Dog Day Afternoon. Groundbreaking in its time – how many Hollywood stars were playing a real-life guy who knocked over a bank in order to pay for his lover’s gender-affirming surgery? –
Dog Day is a quintessential zeitgeist movie, expertly capturing the working-class agitation and angst of the 1970s. It’s also funny, thrilling, so very sweaty, and totally tragic. It paired Pacino with John Cazale again – Michael and Fredo reunited, a year after
The Godfather Part II forcibly separated them – in Cazale’s next to last film role. They’re both dynamite in one of Lumet’s best. –
Kimberley Jones Read a full review of Dog Day Afternoon.