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Special Screenings for Mon., May 19
  • Film

    Special Screenings

    Cooley High (1975)

    Selected in 2021 to be in the National Film Registry, this 1975 classic inspired the likes of Spike Lee and was a major box-office hit upon its release. Contrary to the ubiquitous Blaxploitation of its era, it’s a coming-of-age story following two ambitious best friends in 1964 Chicago: aspiring poet Preach Jackson and basketball star Cochise Morris, who run into trouble during a day of cutting class. What starts as a series of parties, joyrides, and flirting is sadly twisted by the dangers of being Black in America. A heart-wrenching drama through and through, it’s nonetheless joyous and funny, soundtracked by well-loved Motown hits. John Singleton’s 1991 classic Boyz n the Hood is a direct homage to Cooley High, as is Boyz II Men’s 1991 debut album Cooleyhighharmony. – Lina Fisher
    May 16 - 20
  • Film

    Special Screenings

    Crossroads (2002)

    Back in 2002, Britney Spears was on fire, having already sold over 37 million albums including …Baby One More Time and Oops!… I Did It Again. She was definitely overworked and overextended, but was trying her hand at everything and mostly succeeding, and her first and only starring film role was praised, although the film as a whole was critically panned. It’s a lovely little story about three high school grads (Spears, Taryn Manning, and Zoe Saldaña) who cross the country – on roads – as they rekindle their faded friendship and look toward the future. Travel along with them at the Tuesday movie party with props like a road trip map and globe keychain (Village and South Lamar locations only), or if you’re feeling less adventurous, non-MP screenings happen at all the Alamos Monday through Wednesday. – Kat McNevins Read a full review of Crossroads.
    May 19-21
  • Film

    Special Screenings

    Dog Day Afternoon (1975)

    In 1973, director Sidney Lumet tapped Al Pacino to play an NYPD detective in Serpico. Two years later he cast Pacino on the other end of the law in Dog Day Afternoon. Groundbreaking in its time – how many Hollywood stars were playing a real-life guy who knocked over a bank in order to pay for his lover’s gender-affirming surgery? – Dog Day is a quintessential zeitgeist movie, expertly capturing the working-class agitation and angst of the 1970s. It’s also funny, thrilling, so very sweaty, and totally tragic. It paired Pacino with John Cazale again – Michael and Fredo reunited, a year after The Godfather Part II forcibly separated them – in Cazale’s next to last film role. They’re both dynamite in one of Lumet’s best. – Kimberley Jones Read a full review of Dog Day Afternoon.
    May 16 - 21
  • Film

    Special Screenings

    Mermaids (1990)

    Cher’s Eighties-Nineties film catalog is unmatched, with Moonstruck, The Witches of Eastwick, and, of course, Mermaids. Her brilliance as a free-spirited young mom is grounded by Winona Ryder as her plucky daughter, a Catholicism-obsessed little freak who’s fed up with her mother’s manic pixie philandering ways that land them in a new tiny East Coast town every time she breaks up with someone. Christina Ricci makes her film debut as the youngest daughter, a foil to Ryder’s coming-of-age misadventures who clashes with her family. It’s as heartwarming and zany as other cozy classics of the era like Practical Magic, but comparatively and criminally underseen. With its neurotically sex-obsessed camp, and of course, Cher, it’s ripe for some queer theorizing. [Editor’s Note: This screening’s a Queer Film Theory 101 presentation – but not THAT one. The other one.] – Lina Fisher
    May 18-19, 21

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