The Lure

The Lure

2017, NR, 92 min. Directed by Agnieszka Smoczynska. Starring Marta Mazurek, Michalina Olszanska, Kinga Preis, Andrzej Konopka, Jakub Gierszal, Zygmunt Malanowicz, Magdalena Cielecka, Marcin Kowalczyk.

REVIEWED By Marc Savlov, Fri., April 21, 2017

A gloriously genre-defying mash-up of melodrama, romance, musical, and cultural subtext masquerading as a horror film, Fantastic Fest favorite The Lure is utterly original and alluring as director Smoczynska puts the ghastly in fishnets, literally. The human/piscine hybrid sisters of The Lure are definitely not BFFs with fellow submarine belter Ariel, but they sure do a number on the seaside village where they wash up. Silver (Mazurek) and Golden (Olszanska) spot a handsome blond bass player, Mietek (Gierszal), crooning onshore, sparking the initially carnivorous pair to take human form and follow the music to a local cabaret run by Mietek’s family, including a father-cum-showrunner (Malanowicz) and aging chanteuse mother (Preis). Attractive, young, and ostensibly human, the duo join the act, performing in the fishy buff while reclining in giant cocktail glasses. Now that’s evolution!

As Silver topples further into dry-dock love with the Mietek, Golden takes the low road and starts getting toothily carnivorous. Villagers go missing, but the sirens’ song remains keyed in the same – ahem – jugular vein. Written by Fantastic Fest alum Robert Bolesto (Hardkor Disko), this cinematic hybrid of the sensual and the sublime is like nothing you’re likely to see coming from our own shores anytime soon, or ever.

Yes, it conforms – or maybe adapts – to the strictest tropes of the movie musical in that the songs are memorable and arise organically from the story, but there’s more going on here than meets the ear, or the throat. A pervasive sense of melancholy, loss, and longing pervades both the predations of the erotically sinister sisters and the whole of the film itself. (They’re planning on swimming to America, but love and Warsaw get in the way.) Smoczynska handles it all with death-sexy panache, aided and abetted in this superior catch by some drop-dead gorgeous cinematography courtesy of Jakub Kijowski, and a boatload of seriously eye-popping set-pieces that’d do a warped Busby Berkeley proud. This is one fish tale that’s well nigh guaranteed to linger in the viewers’ midnight memories long after its cinematic nocturnal emissions have unspooled.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Agnieszka Smoczynska Films
The Field Guide to Evil
Folk horror anthology has intriguing international scares

Richard Whittaker, March 29, 2019

Fugue
...

May 9, 2024

More by Marc Savlov
Remembering James “Prince” Hughes, Atomic City Owner and Austin Punk Luminary
Remembering James “Prince” Hughes, Atomic City Owner and Austin Punk Luminary
The Prince is dead, long live the Prince

Aug. 7, 2022

Green Ghost and the Masters of the Stone
Texas-made luchadores-meets-wire fu playful adventure

April 29, 2022

KEYWORDS FOR THIS FILM

The Lure, Agnieszka Smoczynska, Marta Mazurek, Michalina Olszanska, Kinga Preis, Andrzej Konopka, Jakub Gierszal, Zygmunt Malanowicz, Magdalena Cielecka, Marcin Kowalczyk

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle