Synthetic Pleasures

1996, NR, 83 min. Directed by Iara Lee.

REVIEWED By Marjorie Baumgarten, Fri., Sept. 27, 1996

Artificial intelligence. Virtual reality. Smart drinks. Molecular nanotechnology. Cybersex. Welcome to Synthetic Pleasures, the movie that wants to be our tour guide to the future. This intriguing documentary begins with the premise that our ever-growing ability to control our universe is creating an artificial sense of reality that is quickly supplanting the real McCoy. Fascinating subject matter, all these questions and their implications. Synthetic Pleasures attempts to be an impartial witness to these imaginings of the future, yet it more closely resembles a cautionary tale. Synthetic Pleasures is the Mondo Cane of cyberspace -- a titillating peek at various bizarre phenomena that, despite some viewer reluctance, has everyone leaving the theatre humming “More.” Very little of Synthetic Pleasure's footage was shot directly for this film; the documentary is primarily an assemblage of extraneous material culled from various corporate and scientific archives. And to that extent, the final composition of the film owes as much to the happenstance of discovered footage as any overriding structural intent of the filmmaker. Still, the film is consistently fascinating to watch as it ponders such questions as whether anyone in the future will interact directly with nature when virtual reality can perfect the experience while also removing all risk and chance. Or for that matter, with so many different realties to choose from, who will choose to experience their own? Interviews with numerous thinkers and activists in the field also help bring some of these concepts into sharp focus. Some speakers include John Perry Barlow, co-founder of the Electronic Frontier Foundation; R.U. Sirius, editor of Mondo 2000; Timothy Leary, counterculture guru; Howard Rheingold, author of The Virtual Community; and Orlan, a French performance artist whose body is her artwork and for whom plastic surgery is her technique. Synthetic Pleasures sprawls all over the place in its quest to confront the future. The rigorous-minded viewer may desire a bit more order to the film's neural onslaught. The armchair spectator and weekend theorist will probably find themselves happily swept away on a magic carpet ride.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Films
The Fall Guy
Funny and fleet, this rom-com/actioner pays tribute to stuntpeople

Kimberley Jones, May 3, 2024

Tarot
A cursed tarot deck takes revenge on a group of friends

May 3, 2024

More by Marjorie Baumgarten
SXSW Film Review: The Greatest Hits
SXSW Film Review: The Greatest Hits
Love means never having to flip to the B side

March 16, 2024

SXSW Film Review: The Uninvited
SXSW Film Review: The Uninvited
A Hollywood garden party unearths certain truths

March 12, 2024

KEYWORDS FOR THIS FILM

Synthetic Pleasures, Iara Lee

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle