https://www.austinchronicle.com/screens/2021-12-17/steve-daviss-top-10-films-of-2021/
Pablo Larraín's superbly unconventional drama about an institutionally trapped Princess Diana.
In his near-perfect solo directorial debut, Robert Machoian masters slow burns and long takes.
Jane Campion rightfully reclaims her status as a premier filmmaker in this uneasy psychosexual Western.
Does it matter why Steven Spielberg decided to film a second version of this timeless stage musical? Bravo, maestro!
This tail-wagging documentary about an Istanbul street dog freely achieves something close to canine neorealism.
Denis Villeneuve's faithful adaptation is the epic science-fiction film die-hard Frank Herbert enthusiasts have long waited for.
Kenneth Branagh's semi-autobiographical film about his troubled Northern Irish childhood is a glorious blur of memory.
Never-before-seen concert footage of the forgotten 1969 Harlem Cultural Festival comes alive.
A recluse's search for his kidnapped truffle-hunting swine is the deceptively simple story of this complex character study.
A fiercely funny Udo Kier owns this requiem for a generation of older gay men.
Flee, Nightmare Alley, Red Rocket.
The French Dispatch, House of Gucci, King Richard.
The Eyes of Tammy Faye, Respect, The World to Come.
Silvery, crystalline, majestic: The welcome revival of black-and-white cinematography in Belfast, Passing, and The Tragedy of Macbeth.
Colin Firth (Supernova), Andrew Garfield (tick, tick…Boom!), Ciaran Hinds (Belfast)
Olivia Coleman (The Lost Daughter), Kristen Stewart (Spencer), Ruth Negga (Passing)
Jane Campion (The Power of the Dog), Steven Spielberg (West Side Story), Elizabeth Lo (Stray)
Kenneth Branagh (Belfast), Mike Mills (C’mon, C’mon), Michael Sarnoski (Pig)
Maggie Gyllenhaal (The Lost Daughter), Rebecca Hall (Passing), Tony Kushner (West Side Story)
Showrunner Mike White sharpens his claws in the cringey The White Lotus, a Hawaiian holiday with the cluelessly unwoke.
Two venerable movie monsters duke it out like rock ‘em sock ‘em robots in Godzilla vs. Kong, an incomprehensible mess.
Bio-horror with vaguely Biblical overtones ratchets up the creepy factor in the atmospheric woodland nightmare of Gaia.
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