SXSW 2021

SXSW 2021

South By Southwest Has a New Investor
South By Southwest Has a New Investor
With 50% ownership in SXSW LLC, P-MRC provides “lifeline”

April 18, 2021

SXSW Film Review: <i>When Claude Got Shot</i>
SXSW Film Review: When Claude Got Shot
Documentary goes beyond the headlines of Black-on-Black crime

April 7, 2021

SXSW Film Review: <i>Disintegration Loops</i>
SXSW Film Review: Disintegration Loops
How a simple ambient experiment became a timeless tribute to 9/11

April 7, 2021

SXSW Interview: Bradley Grant Smith’s “Male Gaze Gazes on the Male Gaze” in <i>Our Father</i>
SXSW Interview: Bradley Grant Smith’s “Male Gaze Gazes on the Male Gaze” in Our Father
Dick Wolf, Chicago, and the politics of writing female leads

March 26, 2021

SXSW Film Review: <i>Without Getting Killed or Caught</i>
SXSW Film Review: Without Getting Killed or Caught
Guy Clark's life, entwined with his wife and best friend

March 25, 2021

SXSW Interview: Kelley Kali and Angelique Molina are Fine (Thanks For Asking)
SXSW Interview: Kelley Kali and Angelique Molina are Fine (Thanks For Asking)
How a can-do attitude enabled a rapid pandemic production

March 25, 2021

SXSW Film Review: <i>Soy Cubana</i>
SXSW Film Review: Soy Cubana
Spirited doc transcends borders through a capella

March 25, 2021

SXSW, Oscilloscope, and Mailchimp Come Together to #SupportTheShorts
SXSW, Oscilloscope, and Mailchimp Come Together to #SupportTheShorts
South by selections available online from today

March 25, 2021

SXSW Film Review: <i>Who We Are: A Chronicle of Racism in America</i>
SXSW Film Review: Who We Are: A Chronicle of Racism in America
Jeffery Robinson's captivating lecture on America's shared legacy

March 24, 2021

SXSW Film Review: <i>Through the Plexi-Glass: Last Days at the San José</i>
SXSW Film Review: Through the Plexi-Glass: Last Days at the San José
Liz Lambert's self-portrait of Austin's complex gentrification

March 23, 2021

Tom Petty, Folk Horror Lead SXSW Audience Awards
Tom Petty, Folk Horror Lead SXSW Audience Awards
The Fallout is this year's big winner

March 23, 2021

SXSW Film Review: <i>Mau</i>
SXSW Film Review: Mau
Portrait of the designer has no room for criticism

March 22, 2021

SXSW Film Review: <i>Sound of Violence</i>
SXSW Film Review: Sound of Violence
Music-driven thriller doesn’t quite hit all the right notes

March 22, 2021

SXSW Film Review: <i>Under the Volcano</i>
SXSW Film Review: Under the Volcano
When the island of Montserrat was the center of the music biz

March 21, 2021

SXSW Music Review: NPR’s Tiny Desk Charms & Swaggers
NPR’s Tiny Desk Charms & Swaggers
Coziness tipped into the sublimely surreal

March 20, 2021

SXSW Panel Recap: Live Music in Venues – What’s Next?
Live Music in Venues – What’s Next?
Summer’s up in the air for many venues, but the fall looks bullish

March 20, 2021

SXSW Music Review: Northern Expo Perfects the Concept of a Remote Showcase With Arctic Circle Concert Film
Northern Expo Perfects the Concept of a Remote Showcase With Arctic Circle Concert Film
Ozas, Oter, I See Rivers, and Heave Blood & Die rep the Arctic Circle

March 20, 2021

SXSW Music Review: Nine Mile Records & Touring Serves Up Tacos, Lone Stars, and Roots Galore at the Continental Club
Nine Mile Records & Touring Serves Up Tacos, Lone Stars, and Roots Galore at the Continental Club
Welcome to the Virtual Live Music Capital of the World

March 20, 2021

SXSW Short and Sweet: “Learning Tagalog With Kayla”
SXSW Short and Sweet: “Learning Tagalog With Kayla”
Austin filmmaker tells how she made an accidental quarantine short

March 20, 2021

SXSW Music Review: Heavy Extremes Fuel Tokyo Sessions
Heavy Extremes Fuel Tokyo Sessions
A revolving door of soundscapes

March 19, 2021

SXSW Music Review: Yard Act, Do Nothing, Squid, and the Art of the British Post-Punk Soliloquy
Yard Act, Do Nothing, Squid, and the Art of the British Post-Punk Soliloquy
SXSW Music’s bread-n-butter: cutting edge UK rebellion

March 19, 2021

SXSW Film Review: <i>WeWork: or the Making and Breaking of a $47 Billion Unicorn</i>
SXSW Film Review: WeWork: or the Making and Breaking of a $47 Billion Unicorn
How hubris was baked into the mega-startup

March 19, 2021

SXSW Music Review: Genre Tripping with British Music Embassy & ATC Live
Genre Tripping with British Music Embassy & ATC Live
GOA Express, Anna B Savage, Katy J. Pearson, and Nayana Iz

March 19, 2021

SXSW Film Review: <i>Offseason</i>
SXSW Film Review: Offseason
Mickey Keating goes to the coast for cosmic horror

March 19, 2021

SXSW Film Review: <i>R#J</i>
SXSW Film Review: R#J
New Romeo and Juliet may divide like Capulets and Montagues

March 19, 2021

SXSW Film Review: <i>The Spine of Night</i>
SXSW Film Review: The Spine of Night
Rotoscoped fantasy layers myth, legend, and gore

March 19, 2021

SXSW Music Review: Finland – The Happiest Country in the World – Presents the Showcase Must Go On
Finland – The Happiest Country in the World – Presents the Showcase Must Go On
“South by Southwest, I said put your fucking hands up!”

March 19, 2021

SXSW Film Review: <i>Lily Topples the World</i>
SXSW Film Review: Lily Topples the World
Prize-winning doc may be the perfect SXSW film

March 19, 2021

SXSW Film Review: <i>The Hunt for Planet B</i>
SXSW Film Review: The Hunt for Planet B
We’re gonna need a bigger telescope ...

March 19, 2021

SXSW Film Review: <i>How it Ends</i>
SXSW Film Review: How it Ends
Apocalypse-lite comedy isn't light on heart or humor

March 19, 2021

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Previous SXSW coverage:
2020, 2019, 2018, 2017

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