SXSW 2017

SXSW Thursday Record Reviews
Jay Som
Everybody Works (Record Review)

March 15, 2017

SXSW Thursday Record Reviews
Johnny Flynn
Sillion (Record Review)

March 15, 2017

SXSW Thursday Record Reviews
Lift to Experience
The Texas-Jerusalem Crossroads (Record Review)

March 15, 2017

SXSW Friday Record Reviews
Sunny Sweeney
Trophy (Record Review)

March 15, 2017

SXSW Friday Record Reviews
Big Jesus
Oneiric (Record Review)

March 15, 2017

SXSW Saturday Record Reviews
Capyac
Fis (Record Review)

March 15, 2017

SXSW Saturday Record Reviews
The Shelters
The Shelters (Record Review)

March 15, 2017

SXSW Saturday Record Reviews
Brutal Juice
Welcome to the Panopticon (Record Review)

March 15, 2017

SXSW Saturday Record Reviews
Telephone Lovers
Telephone Lovers (Lolipop Records cassette)

March 15, 2017

Refugees Record for Free at SXSW
Refugees Record for Free at SXSW
ATX studio donates recording time for displaced musicians

March 14, 2017

SXSW Comedy Review: <i>Witch Taint: The Black Metal Dialogues Live!</i>
SXSW Comedy Review: Witch Taint
Blackest metal and droll humor combine for nonstop laughs

March 14, 2017

SXSW Comedy: <i>A Good Trip</i> with Shane Mauss
SXSW Comedy: A Good Trip with Shane Mauss
Jokes, jokes, jokes, and the meaning of life. No big deal.

March 14, 2017

Chrissie Hynde, Talk of the Town
Chrissie Hynde, Talk of the Town
Pretenders’ ageless voice completes an ATX trifecta

March 14, 2017

SXSW Film Review: <i>Give Me Future</i>
SXSW Film Review: Give Me Future
Major Lazer invites the people of Cuba to party

March 14, 2017

SXSW Panel: <i>Veep</i>: A Conversation with the Cast and Showrunner
Veep: A Conversation with the Cast and Showrunner
How does a show that outlived its initial concept keep getting laughs?

March 14, 2017

SXSW Film Review: <i>David Lynch – The Art Life</i>
SXSW Film Review: David Lynch – The Art Life
Doc excavates the creative mind of the eccentric artist

March 14, 2017

SXSW Music Live: Robert Glasper
SXSW Music Live: Robert Glasper
One limb in jazz, others in hip-hop and modern R&B

March 14, 2017

SXSW Film Review: <i>Tragedy Girls</i>
SXSW Film Review: Tragedy Girls
Neo-Heathers cuts, but not so deep

March 14, 2017

SXSW Film Review: <i>Most Beautiful Island</i>
SXSW Film Review: Most Beautiful Island
Poverty and immigration power this taut thriller

March 14, 2017

SXSW Music Live: Cindy Wilson
SXSW Music Live: Cindy Wilson
B-52s beehive tames down

March 14, 2017

SXSW Film Review: <i>Served Like a Girl</i>
SXSW Film Review: Served Like a Girl
Thank you for your service, now figure it out alone

March 14, 2017

SXSW Film Review: <i>Ramblin' Freak</i>
SXSW Film Review: Ramblin' Freak
A grieving millennial goes on the road again

March 14, 2017

SXSW Film Review: <i>Dara Ju</i>
SXSW Film Review: Dara Ju
White-collar crime collides with first-generation immigrants

March 13, 2017

SXSW Panel: Gareth Edwards Keynote
SXSW Panel: Gareth Edwards Keynote
Star Wars, Monsters, and the drive to tell a story

March 13, 2017

SXSW Panel: The Future of Policing
The Future of Policing
That thin blue line is a little shaky and could definitely use some help

March 13, 2017

SXSW Panel: Arthouse Awakening: Indie Distribution Today
Arthouse Awakening: Indie Distribution Today
What's the future of cinema amid a landscape of streaming services?

March 13, 2017

SXSW Film Review: <i>The Untold Tales of Armistead Maupin</i>
SXSW Film Review: The Untold Tales of Armistead Maupin
Biographical doc tamely depicts a vigorous life

March 13, 2017

SXSW Film Review: <i>Walk With Me</i>
SXSW Film Review: Walk With Me
Mindfulness guru takes center stage in profound nonfiction weeper

March 13, 2017

Stevie Nicks Soars
Stevie Nicks Soars
Fleetwood Mac singer solo and with Pretenders’ Chrissie Hynde

March 13, 2017

SXSW Panel: You Are Not Anonymous: The Myth of Online Privacy
You Are Not Anonymous: The Myth of Online Privacy
The moving hand clicks, and its activity is tracked and sold everywhere

March 13, 2017

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