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The Italian film which was adapted for the American remake starring Zach Braff.

Three new Criterion titles demonstrate how far fascism's castor-oil cocktail will travel down the throat of its native filmmakers before it comes back up twice as Azzurri.

Former French marine and Sinatra-esque tough guy Alain Delon burned froid et chaud with the best of them

With loyalty to such cinematic emperors as Fellini, Pasolini, and Antonioni, the Criterion Collection's devotion to post-war Italian masterpieces is serious business. Seriously buffo, comico, spiritoso in the case of neo-realist Pietro Germi's 'Divorzio all'Italiana' (1962).

The Austin Film Society's series is called "Che Bella: Italy in the 60s," but the story really begins -- as does all of modern cinema -- in the streets of Rome, in May of 1944. Nick Barbaro looks at Italian neorealism and the movies it inspired.