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Tiny House Tour
It's bigger than a movement
"...SXSW Film Conference Quick Cuts Tiny House Tour..."

March 15, 2013 Screens Feature by Nora Ankrum

'Maidentrip'
A resourceful and insightful young woman breaks the record for the world's youngest solo circumnavigation
"...SXSW Film Reviews MaidentripVisions, World Premiere D: Jillian Schlesinger; with..."

March 15, 2013 Screens Feature by Jordan Smith

'Drinking Buddies'
Olivia Wilde breathes life into a fantasy female
"...SXSW Film Reviews Drinking BuddiesNarrative Spotlight, World Premiere D: Joe..."

March 15, 2013 Screens Feature by Melanie Haupt

'Diario a Tres Voces (Three Voices)'
Weaving love stories across generations
"...SXSW Film Reviews Diario a Tres Voces (Three Voices)SXGlobal, North..."

March 15, 2013 Screens Feature by Jessi Cape

SXSW Film 2012 Audience Awards
'Brooklyn Castle,' 'Fat Kid Rules the World' among crowd faves
"...For the SXSW 2012 Jury Awards and additional Audience Awards, announced last..."

March 23, 2012 Screens Feature

SXSW Film
Daily reviews and interviews
"...of three crucial small-town staples: "Water, food, football." Austin filmmaker Bradley Beesley's "Mr. Hypnotism" expands on Jennifer Sharpe's NPR..."

March 19, 2010 Screens Feature by Kate X Messer

SXSW Film
Daily Reviews and Interviews
"...From Sersen, who brought us the mockumentary Blackballed (2004 SXSW Film Audience Award), set in the world of competitive..."

March 20, 2009 Screens Feature by Anne Harris

SXSW Film Reviews
What seems to be an uplifting look into the liberating nature of women's pro wrestling in Japan quickly becomes an exploration into the psyches of the women who live it
"...yet still quite powerful documentary don't hold back. The film follows Takeuchi as she endures dropkick after headlock at..."

March 16, 2001 Screens Feature by Kate X Messer

SXSW Film Reviews
Melissa Shachat's vibrantly colored documentary looks at Gibtown, the refuge of longtime carnival and circus workers when they aren't on the road.
"...burgs across the country. And she captures it on film just in time; most of the residents are elderly..."

March 16, 2001 Screens Feature by Robert Faires

SXSW Film Reviews
The gags come fast and furious, and the fair amount of gross-out humor makes Super Troopers play like a cop version of Caddyshack.
"...of a sitcom, but the runaway pacing buoys the film over the occasional flat spot. Super Troopers may be..."

March 16, 2001 Screens Feature by Jerry Renshaw

SXSW Film Reviews
The genius of Penelope Spheeris' OzzFest documentary is her whip-smart editing style, which weaves skeins of meaning behind the madness with crosscuts and montage.
"...style encourages full disclosure. But the genius of the film is her whip-smart editing style, which weaves skeins of..."

March 16, 2001 Screens Feature by Marrit Ingman

SXSW Film Reviews
"How's your news?" may seem an odd question to ask a stranger, but in this documentary about disabled adults who travel across the country as news reporters, it isn't the question that matters.
"...news reporters, it isn't the question that matters. Bradford's film is a tribute to his subjects, often sweet but..."

March 16, 2001 Screens Feature by Barry Johnson

SXSW Film Reviews
Scott J. Gill's porn doc wonders: How does a hammy kid from Flatbush, Queens -- the former Ronnie Hyatt, son of a physicist -- become the hirsute "Hedgehog," the most prolific and recognizable figure in adult film?
"..."Hedgehog," the most prolific and recognizable figure in adult film? More perplexingly, how does a guy who goes to..."

March 16, 2001 Screens Feature by Kimberley Jones

SXSW Film Reviews
The Catholic machine gets another working over in this Italian coming-of-age story about a young boy and his love for the house servant.
"...own induction into that "evil." Every inch of this film is washed with a religious fervor and fear, manifest..."

March 16, 2001 Screens Feature by Kimberley Jones

SXSW Film Reviews
This inspired program is an inventive and deeply emotional compilation that not only works psychologically but also resonates across gender, age, and sexual orientation
"...Shorts Program OneD: Various. (film/video, 103 min.)..."

March 16, 2001 Screens Feature by Marcel Meyer

SXSW Film Reviews
Corporate behemoth Wal-Mart plans a new store in Ashland, and the local "Pink Flamingos" organize against the mega-mart while town fathers want business to continue as usual.
"...small-town life has the reflective polish of the marketing films it occasionally parodies. Store Wars recounts, in straightforward style,..."

March 16, 2001 Screens Feature by Michael King

SXSW Film Reviews
This celebration of the Gypsies of Spain blends documentary and narrative styles to create a unique film, one which uses a simple story to tell volumes about a culture often misunderstood by the masses
"...blends documentary and narrative styles to create a unique film, one which uses a simple story to tell volumes..."

March 16, 2001 Screens Feature by Barry Johnson

SXSW Film Review: Delia Derbyshire: The Myths and Legendary Tapes
Biodoc of pioneering musician is best when she speaks for herself
"...synth blips, tape hiss and warped voice recordings. Fittingly, SXSW selection Delia Derbyshire: The Myths and Legendary Tapes is..."

March 19, 2021 Screens Post by Lina Fisher

SXSW Film Review: Rush Hour
The time we lose in traffic, on a global scale
"...Which is exactly the point of this calculatedly fly-on-the-windscreen film...."

March 19, 2018 SXSW Post by Marc Savlov

SXSW Film Review: The New Romantic
Love reconsidered in the age of swiping and sugar daddies
"...comedy The New Romantic is a charming and sweet film about a young woman owning her sexuality in a..."

March 13, 2018 SXSW Post by Jenny Nulf

Austin Filmmaker Emily Hagins Debuts Series at SXSW Film
Hold to Your Best Self is a high school Rashomon
"...With Hold to Your Best Self, Austin-born film writer/director Emily Hagins (Grow Up, Tony Phillips) moves into..."

March 9, 2018 Screens Feature by Ashley Moreno

Telling Some Very British Ghost Stories at SXSW Film
Jeremy Dyson and Andy Nyman on the evil seed that would become their Midnighter
"...at summer camp when they were 15, and horror films "became one of the leading drives of our friendship,"..."

March 9, 2018 Screens Feature by Richard Whittaker

SXSW Film Review: Miss Stevens
Lily Rabe shines in Julia Hart's directorial debut
"...better catch-all description), switches gears entirely in her follow-up film Miss Stevens, which she co-wrote and makes a debut..."

March 12, 2016 Screens Post by Marjorie Baumgarten

SXSW Film Review: My Beautiful Broken Brain
Doc opens a window into traumatic brain injury
"...and Netflix’s increasingly acclaimed documentary collection, this re-cut 2014 film by Lotje Sodderland and Sophie Robinson is nothing short..."

March 12, 2016 Screens Post by Jessi Cape

SXSW Film
Daily reviews and interviews
"...SXSW Film isn't all about world premieres of Hollywood blockbusters..."

March 18, 2011 Screens Feature by Josh Rosenblatt

SXSW Film
Daily reviews and interviews
"...Twentysomething angst is raging through the SXSW Film Festival this year, so it's (sometimes) interesting to..."

March 16, 2007 Screens Feature by Joe O'Connell

SXSW Film Reviews
"...second, each one will change without warning. Schaeffer's epic film Mind the Gap is a life exercise. A lesson..."

March 19, 2004 Screens Feature by Darcie Stevens

SXSW Film Reviews
This documentary recounts numerous distressing human stories -- oppression of immigrants by a country of immigrants -- and a few small but important victories
"...jailers profit from INS maintenance fees. It's apparent the filmmakers want to speak for this "most voiceless group of..."

March 16, 2001 Screens Feature by Michael King

SXSW Film Reviews
Two years after graduation, a gang of high school buddies reunites for an evening of air hockey and reverse peristalsis.
"...jump cuts. But the ensemble is fine, and the film has a stomach-churning, downbeat authenticity. (Alamo 3/15, 7:45pm)..."

March 16, 2001 Screens Feature by Marrit Ingman

SXSW Film Reviews
Every Austinite should see this film, the human underside of our relentless growth; filmmakers should see it as a testimony to letting the story come to you.
"...waves they can't control. Every Austinite should see this film, the human underside of our relentless growth; filmmakers should..."

March 16, 2001 Screens Feature by Michael King

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